My fantasy novel, The Witching Work of the Guild of Ornamental Hermits, is now well underway. I clocked in at 50,404 to reach the National Novel Writing Month goal. Still working on the book now–probably about halfway done! Stay tuned!
My fantasy novel, The Witching Work of the Guild of Ornamental Hermits, is now well underway. I clocked in at 50,404 to reach the National Novel Writing Month goal. Still working on the book now–probably about halfway done! Stay tuned!
The Witching Work of the Guild of Ornamental Hermits is humming along, thanks to National Novel Writing Month. There’s nothing like the challenge of writing 50,000 words in a month to get the creative juices flowing!
But I’m fortunate to have an exceptional muse for this second book, the Norse god Loki, who appears front and center as Lucky LaFey, a “sweet-talking drifter” with a fondness for donuts. But he but soon reveals his true identity to the merry band of newly transplanted “Hermits of Hermitville” and their magical mentors, the Elves of The Realm (saucily referred to as “Elven Overlords” when out of earshot).
Babe Bump, Oyster Olson, and Tomma Bedlam are still at the center of the second book, narrating most of the chapters. Oyster gets suprising news about his birth parents, Tomma settles into a polyamory triad, and Babe begins to master her talents as a medium. At the same time, they and the rest of the Hermits struggle with their exile from Hawai’i and their new life in Lake County, CA.
And even before the Elves can get their mortal charges up to speed on magical skills, a new villain, the Big Dipper, arrives on the scene. He’s big, he’s bad, and he looks exactly like Malibu Ken. He has his very own cult and is opening a resort in the hills surrounding the lake.
It’s hard to write without giving spoilers, so I’ll just say I am having as much fun writing this second book as I did writing the first. My characters continue to surprise me and I love them all. Even, in a horrible way, the villains.
I have four queries out to literary agents and if they turn me down, I’ll send out another batch of letters. I believe in these characters and I believe in these books.
Thanks for reading!
November 1st (my birthday) is also the start of each year’s National Novel Writing Month, fondly known as NaNoWriMo.
In NaNoWriMo 2016, I launched my fantasy novel, The Dire Deeds of the Guild of Ornamental Hermits, and continued to write all year. In NaNoWriMo 2017, I continued work on Dire Deeds and then revised and completed it this last summer. Now in NaNoWriMo 2018, I have officially begun work on the second book in this proposed fantasy trilogy–The Witching Work of the Guild of Ornamental Hermits.
I’m off to a good start! By the end of November 3rd, I had over 8,000 words logged in to my NaNoWriMo author page.
Lucky LaFey is a drifter. He wears his mileage lightly though he’s travelled the roughest of roads. However his vocabulary is excellent and his manners are often soft and deferential enough to mark him as having come from “a good home.” He can say “ma’am” and “sir” without a trace of hipster irony. He’s insatiably curious. You’re as likely to find him in a small town library as you are in a big city pool hall.
Tall enough, slender but muscled, green eyes, an age that’s hard to pin down… Lucky’s been known to dye his long red hair jet black. He’s the handsome devil who breezes through town, dances in clubs, picks up odd jobs and odder people. He may break a heart or two when he leaves (but he’s never broken a family).
“What did you see in him?” (Besides that voice, those eyes, the hair, those oddly scarred lips?)
“I don’t know exactly, but I felt like he ‘got me’, ya know? He really got me!”
And she/he/they/ze will remember him for the rest of their lives.
Lucky’s a natural actor. He’s toured with regional theater companies, garnering rave reviews of his almost “chameleon-like” ability to really become the character. And yet, acting was never his passion–just another way to meet people and pass the time. He’s picked up sleight of hand tricks with coins and cards and has a rapid-fire “patter” that’s both hilarious and beguiling. But that’s just a way to win a beer or whiskey on a bet.
Because he’s handsome and his hands are clean, some have mistaken him for a hustler or a gigolo, and tried to play him that way. Yet money never changes hands when it comes to Lucky and sex. Oh, but that’s not to say there’s not a transaction involved! It might be “that ring you’re wearing,” or “my friends and I could use another round” or even, for those “lucky few,” “tattoo my name on your ass so next time I see you, I’ll know you really love me.”
And then he’s off in the night, laughing. (Someone told me once there’s a secret Reddit group for people who’ve gotten those tattoos.)
His own tattoos are faded: a snake biting its own tail on his left bicep, a wolf on his right, and over his heart, a small skull with half the face of a girl. If you could lift Lucky’s hair from the back of his neck, you’d find a tiny broken heart, but few people have ever been allowed that liberty. Lucky might let you get close, but not that close.
Sometimes you might find Lucky among the “Burners” or hopping trains with young nomads like “Sock Monkey” and “Crash.” He’s learned that people are friendlier when he sits on curbs with a kitten (he loves his animals and always finds them good homes). To hear him tell it, Lucky’s been “a ski bum, a surfer, a demolition derby racer, and a line cook at some top New York restaurants.” He claims to have been married (twice) but never talks about his wives or kids. He plays the guitar and sometimes you might find him sitting in with other musicians in some scruffy bar, or strumming it pensively, alone under a tree in a park.
Don’t offer him a cigarette when you sit down to listen. He gave it up years ago, after that trip to Tibet.
To hear him tell it, Lucky’s been everywhere and done everything. He’ll talk of having one memorable night with Janis or that time in Paris when he posed in drag for Brassai. And then he’ll look you in the eye and laugh, daring you to challenge him (“You couldn’t have! You’re not that old!”). The funny thing is, you almost believe him! He makes you want to believe…
So perhaps it was inevitable that the lanky sweet-talking drifter known as Lucky LaFey would find his way to our new Hermitville Magic and Arts Collective. I found him one morning, comfortably asleep in the hammock that hangs on our wide front porch, with only a backpack and a paperback book for company. I stared at him. He was improbable. His bright red hair caught sunbeam light and threw it back like prism sparkles. And then he yawned, opened his emerald green eyes and grinned at me. It was a look from someone much bigger than a human soul. My heart pounded and all I could think was, “Here comes trouble…”
I’m gearing up for National Novel Writing Month 2018! It begins on my birthday, November 1st. I began my fantasy fiction novel, The Dire Deeds of the Guild of Ornamental Hermits, during NaNoWriMo 2016, wrote all year long, then continued it during NaNoWriMo 2017. Still working hard!
But this year, I am winding up another round of editing on The Dire Deeds and am getting ready to start my second volume in the series: The Witching Work of the Guild of Ornamental Hermits. This second volume will take place in Lake County and the “wine country” of California as the Hermits of Hermitville attempt to regroup and establish a LGBTQIA etc. (pretty much everybody-friendly) school of magic.
I don’t want to tell you anything else! For me, the plot and character development flows as I write, with only a vague idea of what might happen next. I’ll be as surprised as you are when I get to my 50,000 word count at the end of November.
One thing I do know, however, a certain fabulous trickster god will make his/her/zir appearance in the book! And those Viking horns on top of the NaNoWriMo log will be so very, very appropriate!
Breadcrumb (also known as “The Wee One” or “T.W.O.” for short) is an Elf smitten with human clowning and clown fashion. Physically I see her very much as an Angela Mae type. Angela Mae being an immensely talented bellydancer and clown who has performed with the band, Gooferman. Angela Mae is definitely a major muse for this character!
In this book, some Elves are quite taken with human subcultures, as immortality can get a little stale without interdimensional novelty. They go in for human fads, artifacts, and “spill-over phrases” (cliches and memes). Breadcrumb is certainly one of these Elves, with a ruby-rouged nose, striped tights, and a light tunic of spider silk.
Her father, Parsifal, is another. Puddles, the Sad Clown with the Golden Voice, is the primary muse for the character of Parsifal. You can get a sense of Parsifal in action in the excerpt, Elven Glamour Run Amok.
Breadcrumb’s mother, however, is the formidable, no-nonsense Maud o’ Bedlam, an experienced interdimensional operative. (I see Eva Green as the ideal Maud!)
Breadcrumb may be a classic Manic-Pixie (Elf) Girl, capable of shimmies, pouts, and nonsequiturs, but when the forces of evil descend on Hermitville Farm and Arts Collective, Maud and Parsifal have good reason to be proud of their daughter as she transforms into “Head Elf in Charge.”
My book is about people who are old and/or gender variant and/or not white and who have varied sexual orientations (LGBTQIA etc.) and diverse relationships, having the kinds of magical adventures that in mainstream fantasy fiction and films are mostly reserved for white, cisgender, heteronormative children and teenagers.
So it is not surprising that as I was writing, I also thought cinematically! Who are the characters and what is the kind of magic adventure movie that I’d like to see? This means a lot of “behind the scenes” fantasizing as well as writing. This often took the form of creating and revising character bios and by “casting” the characters as if this book were going to be a movie. This kind of fantasizing helped me to develop my characters by looking for real-life actors who somehow “fit” or embodied my conceptions of the book’s characters and also let me play around a little with character “chemistry” ideas. As the book developed, some of the cast would sometimes change. A new actor would sometimes replace a previous selection.
During this fantasizing, one strict rule of mine was that a trans actor would have to be “cast” in a trans role. A Kanaka Maoli (native Hawaiian) actor would be cast in a Kanaka role. An intersex actor would be cast in an intersex role, and so on. Of course, an actor of any gender, ethnicity, or age can play an Elf–and so they do. (No one is going to look very much like a Tolkien Elf in my fantasy movie–besides, my Elves are all wild for mortal subcultures and artifacts.)
What follows next is FANTASY CASTING – like a fan game, okay? It’s strictly for fun (unless the Wachowski Sisters give me a ring). Got that?
So, pretending that The Dire Deeds of the Guild of Ornamental Hermits is now headed for the big screen, there are at least eleven good roles for trans/GV actors, including major characters (either as trans/GV roles or playing cis roles); two major roles for intersex actors; and fourteen good and major roles for people of color (these overlap with many of the above roles). The characters below are human and Elf. The Elsewherians (they are “corporate”) and Fomorians (they’re like witch burning inquisitors) are mainly ensembles of bad guys (not listed as individual characters). I’ve also neglected to think of a couple of the deities that show up in magic rituals as “characters,” but I suppose I should.
The “Hermits” (*main book narrators)
*Babe Bump – intersex woman, pansexual. Imagining singer and actor, Eden Atwood, (with darker hair). She’d be terrific. And this song is a perfect way for her to express her feelings for her new sweetheart! Eden has been “the face” of Babe almost since the first chapter.
*Tomma Bedlam – a trans woman who has claimed a gender fluid/non-binary identity by the time we meet zir, pansexual. Imagining Jamie Clayton (Sense8). How I love her! But would she want to play someone who is gender fluid and non-binary? In any case, Jamie has been “the face” of Tomma since the first draft of the first chapter!
*Oyster Olson – trans man, asexual, pan-romantic. Imagining Will Krisanda with a little grey hair (Brothers). For me, he’s been “the face” of Oyster Olson for the last year and a half as I’ve been writing. (But he’d have to learn to play blues harp or fake it!).
Aarrf Perry – a gender queer (they/them) “human puppy” who is also head of Hermitville security. This character requires a certain kind of versatility and has a pretty intense character growth. Imagining Tilda Swinton (identifies as non-binary gender).
Joe Hillstrom – cisgender man, gay, photographer and personal trainer: Imagining Chiwetel Ejiofor, because he can pretty much do anything as an actor and I love him.
Glysandra Shakti Om – cisgender woman, hetero, tantra instructor. Imagining Helen McCrory (Peaky Blinders). Or could be a cis role played by a trans woman (who?).
Maximus Gordon – cisgender man, hetero, polyamorous, musician and singer. Massive is supposed to be 6’7″ and built like a football player, and so though I imagine the face of Morgan Freeman (with grey hair and beard), I actually don’t know how tall he is, or if he can sing!
Sybil Perry – cisgender woman, heteroflexible, polyamorous, musician and singer. Imagining Loretta Divine.
Minnie Richmond – cisgender woman, heteroflexible, polyamorous, musician and singer. Imagining Annie Golden. I’ve also thought of flipping the roles here so Annie would play Sybil and Loretta would play Maxine.
Jennifer Juniper – cisgender woman, hetero, musician and singer. Imagining Rhiannon Giddens.
Frank Talk – intersex man (sexual preference unknown), musician. Imagining intersex activist and professional pirate, Mx. Annunaki Ray Marquez.
Rozaline Rae – cisgender woman, bisexual, musician/singer. Imagining Poison Ivy (of The Cramps), if she’d be so kind…
Ginger Croom – cisgender woman, hetero, age 70ish, winery heiress, Hermitville founder. Dies at beginning of the book. Gotta be a “big” personality in flashbacks. Not “cast,” but Charlotte Rampling in a cameo is a persistent fantasy. Could also be a cis role played by a trans woman (who?). Who would be the young Ginger?
Sidley Croom – cisgender man, bisexual, Ginger’s younger brother. Imagining David Strathairn.
Bad Guys & Irritants
Anna Phylaxia – cisgender woman, hetero, pretend “domme,” CEO of Anna’s Wicked Wares. Imagining Pooya Mohseni (trans woman actor) as fantastic in this cis female role.
Stanford Lawsome – cisgender man, bisexual, Anna’s assistant. Imagining Reeve Carney (Penny Dreadful) with bleached hair and a spray tan.
The Lawyer® – gender neutral (ze, zir), Elsewherian, preference unknown. Imagining Jamie Casbon (Brothers) with a very corporate wardrobe.
Sri Nimrod – cisgender man, hetero. Self-righteous yoga guy with man bun. Small role. Haven’t cast him yet, but that Portlandia comedian could do this role well.
Miranda Jackson – cisgender female, lesbian, documentary filmmaker. Imagining Lea DeLaria (Orange is the New Black).
Shank Stoma – Trans or gender queer person, sexual preference unknown. Camera. Imagining Hudson Krakowski (Brothers).
Eddie Sedgwick – Nonbinary trans male (they, their). Camera. Em Grosland. (Trans actor. Em would also make a good Elf–see below.)
Toledo Jackson – Cisgender male, hetero. Miranda’s goat-selling, former tweaker brother. Hippie dude. Imagining someone similar to Russell Brand, but even more unraveled.
Jason – Cisgender male, hetero. Obnoxious to women. Kicked out of the crew. Small role. Imagining a white, frat guy type. Not cast.
Hawaiian (Kanaka Maoli) Neighbors
Uncle Iolana – cisgender man, kupuna (cherished elder), age 70. I imagine someone like singer Liko Martin.
A baby (gender not specified) and a boy of ten. Not cast.
Note: The Elves have 29 genders in their world and many of the Elf genders have developmental “shifts” to other states over the course of their lives.
Septimus Sitwell – Filly Lord gender, pansexual. Imagining Benedict Cumberbatch. Because I can… And because Septimus has some great lines.
The Wee One (aka T.W.O. and Breadcrumb) – Filly Lassie gender, pansexual. Character based on Angela Mae, a clown and bellydancer (used to perform with Gooferman). Would love to cast Angela Mae in this role. She’s super-talented.
Professor Osbert Almond – Lord of Ice gender, pansexual. Imagining Tom Hiddleston with long hair (but more gloss and gleam than Loki) — mostly because he is an amazing actor and could bring a lot of depth to the professor, who has a complex backstory.
Parsifal Berry Blue – Murlord gender, pansexual, T.W.O.’s dad. Character based on the real-life Puddles, the Sad Clown with the Golden Voice. Would love to cast Puddles (Mike Geier) in this role.
Maud o’ Bedlam – Lady Flame gender, pansexual, T.W.O.’s mom. Imagining Eva Green (Penny Dreadful).
Indigo – Simple Female gender, lesbian. Imagining Samira Wiley (Orange is the New Black).
George Potts – Lady Pheonix gender, pansexual, married to Archie Smegley. Imagining Jake Zyrus (trans man actor/singer).
Archie Smegley – Murlord gender, pansexual, married to George Potts. Imagining Scott Turner Schofield (trans man actor) .
Gingevus Sitwell – Filly Lord gender, pansexual, brother to Septimus. Imagining Bill Nighy (with longish hair).
Tom Crumpet – Simple Triad gender, pansexual. Imagining Emmett Jack Lundberg (trans man actor).
Sulferous Pete – Simple Dyad gender, pansexual. Imagining Kingston Farady (trans man actor, Black is Blue).
Who’s There – Murlette gender, pansexual. Imagining Bae Doona (Sense8). (Korean name. Family name is Bae.)
Hamfast – Simple Dyad gender, pansexual, shapeshifter. Imagining Richard O’Brien (Rocky Horror Picture Show).
Hamfast shapeshifting as Goddess Mal-i-bu Bar-bee – Imagining Stormy Daniels in a cameo appearance.
Shane – Laddie Gora gender, pansexual, Fomorian expert. Imagining Alexander Vlahos (long hair, goth).
This “casting” is actually a productive exercise for a (cis, white) writer to step out of a tendency to “cast white” and “cast cis” and really broaden the character possibilities beyond a token character or two, tossed in as a sop to “diversity.” It is also a way to search out and appreciate the work of talented people who in some cases have less recognition than they deserve. And it’s also a bit of “magical thinking.”
So mote it be.
The Dire Deeds of the Guild of Ornamental Hermits takes place in Hawai’i in a “not too distant” future. As I work my way through the second draft, it became obvious to me that I wanted that future to consist of a recently restored Hawaiian Kingdom, one that (within the context of my fantasy novel) is still in a state of initial transition, yet is firmly established as a international, political, plausible reality.
In other words, in the future described in my book, the United States and its military is in the process of removing itself as per agreements and treaties made with those who represent the new Kingdom government and its multi-ethnic subjects: Kanaka Maoli (“native Hawaiians”) and descendents of Hawaiian Nationals who were subjects of the Kingdom at the time of the theft and occupation of Queen Liliu’okalani’s government and kingdom (1893). (The Queen is pictured below.) Kingdom restoration is now a “done deal” (in the book) and everyone living in Hawai’i has to deal with it, one way or another, including the Hermits of Hermitville on Hawai’i Island.
Before I get into what this means for my work of fiction, please check out the reality. For historical background, political considerations, legal context, international status, and current affairs regarding the actual Hawaiian Kingdom, you can go to Hawaiian Kingdom Blog, particularly this entry: U.S. Commits “Acts of War” against the Hawaiian Kingdom (Jan. 17, 2018). My novel may be a fantasy, but there are good reasons for considering restoration of the Hawaiian Kingdom as possible, plausible, and righteous, though it is not yet in a politically negotiated process with the U.S. (even if it should be).
Back to the book. Like everyone else who is not an actual descendent of a Kingdom citizen circa 1893, the Hermits of Hermitville have been living in Hawai’i as settler/colonists in a belligerently occupied nation (until the restoration of the Kingdom, of course). This status is at first unknown to them, as they’ve drunk the standard American “Hawai’i statehood” Kool-Aid. This is a status that Hermitville’s founder, winery heiress Ginger Croom, doesn’t understand either until she’s about ten years into her settlement on two, twenty-acre agricultural lots in the Puna District of Hawai’i Island. While she still doesn’t quite understand the land title issues, she does come to understand that a great wrong was done and she’d like to do something to give back to the community. Her way of making amends–or reparations–is to give over one of the twenty-acre lots to five Kanaka Maoli families who have direct ties to that land and she also establishes a building fund for them (in keeping with American philanthropic tradition). She keeps the remaining lot for the Hermitville Farm and Arts Collective. Like most people who purchase real estate in Hawai’i, she believes in her fee simple ownership. As a wealthy person, she also still thinks of what she’s done as a “gift.”
This means that when Ginger writes her will (and this is important to the plot), she assumes she can transfer ownership of this remaining twenty-acre plot to whomever she chooses, in the first case, to her brother Sidley.
But Ginger and the rest of the Hermits never reckoned on the actual restoration of the Hawaiian Kingdom in their lifetimes, and now the question is whether to ask to become naturalized citizens of the Kingdom–and if granted this and if permitted to stay, to renounce U.S. citizenship–or to return to the continental U.S. The Hermits, being a fairly progressive bunch, are strongly considering asking to stay, but they too don’t understand that even if they are granted citizenship, that the twenty-acre land base of Hermitville may very well be given back to its original owners, who are most likely Kanaka Maoli.
I asked a couple of my Kingdom activist friends for some guidance as to what might happen in a restored Kingdom government, regarding a will created by someone who is not a descendant of a Kingdom subject (on or before 1893) but who has made provisions for transferring ownership of Hawaiian land to an heir. One friend [a former lawyer–waiting for permission to use his name] talked about the initial seizure of much of Hawaiian land by (1) the U.S.-backed, so-called “provisional government” (an act of war) and (2) the later U.S. “territorial” government (there was no treaty of annexation, by the way), and (3) the “state” of Hawai’i. He said:
“There were raids on estates, the government, etc. I would EXPECT that these deceitful and fraudulent land transactions will be examined and evaluated AND, when good reason is found, that these deeds and/or other methods of conveyances will be reversed AND the lands returned to their rightful title owners, or if none can be found, to the valid konohiki of those lands OR, if not valid, to the government.”
Note: Wikipedia defines konohiki as “a headman of a land division or ahupua’a of the Kingdom of Hawaii who administered the land ruled by an ali’i chief.” This definition is in accordance with that found in the Hawaiian Dictionary by Mary Kawena Pukui and Samuel H. Elbert (p. 166).
Lynette Cruz, Ph.D., Kupuna at Hawai’i Pacific University, commented, “Might have an issue with title transfers after 1893.” [Update: thank you, Lynette, for correcting my terminology – “subject” is the correct term, not “citizen.”]
In present day Hawai’i, complex discussions of the validity of land title after 1893, based on the Hague World Court of Arbitration’s affirmation of the continuing existence of the Hawaiian Kingdom (but not the government) as per Larsen Vs. the Hawaiian Kingdom, have featured in some cases of foreclosures and defective title.
Unknown to the Hermits, however, forces even more complex and mysterious than Hawai’i land title matters will soon force them into an even more complicated relationship to the question, “Should I stay or should I go?”
Oyster Olson is a resident of the fictitious Hermitville Farm and Arts Collective near Pahoa, Hawai’i Island. He is one of twelve “hermits” (musicians, artists, and oddballs) invited to live at the intentional community by the founder, winery heiress Ginger Croom. At the beginning of the book, Oyster has been a resident at the farm for about six years. And he’s probably the most introverted member of the community at that point.
Oyster didn’t start out in my mind as a main character in my work of fantasy fiction, but he, along with Tomma Bedlam and Babe Bump, have grown to become the three main human protagonists. Babe does most of the first person narration, but Oyster and Tomma also narrate chapters, and the friendship between the three is one of my major pleasures in writing this story.
At the start of the book, Oyster is shy, reserved, and somewhat unfocused–unless he’s playing music! In the second chapter, during the farm’s monthly “Community Emergency Response Training” (CERT) drill, Oyster has trouble remembering the meaning of the triage colors* (red, yellow, green) as Tomma, participating as a mock “disaster victim,” is carried to the medical tarp on a repurposed surfboard. Babe notices his distraction, but also takes note of his “swoony” brown eyes.
Oyster is a talented multi-instrumentalist. He plays blues harp (harmonica), synthesizer, keyboards, and even harpsichord, with The Incredible Unstrung Band (the farm band). While skilled on keyboards, his real joy is playing the blues on his harp. At one point in the book he’s delighted to find that Babe recognizes a Charlie Musselwhite tune that he’s playing (Sorcerer’s Dream). Babe, a neo-burlesque artiste, tells Oyster that she’s been a fan of Musselwhite since her teens, and that blues and burlesque go together like “poke and poi.”
Oyster is a transgender man. He’s been keeping this private at Hermitville for personal reasons, but eventually confides in Babe, who is very out as an intersex rights activist. (Tomma, a gender variant person with ze/zir pronouns, figured out Oyster’s secret on zir own, but discreetly never mentioned it.) One wonders why Oyster didn’t confide in Babe and Tomma before, but as I said earlier, the guy is shy!
Oyster’s growth in the book is a result of his growing friendship and intimacy with Babe and Tomma, along with his training in magical arts, and through the magical, multi-dimensional challenges and dangers they all face together.
If I were to cast Oyster’s part in a movie version of the book, I know exactly which trans male actor would get the part. He’s a little younger than Oyster (who is in his mid-40s), but could definitely carry the role. He’s got the right look and “vibe.” Just add a few gray hairs…