Movie Casting Fantasies

What follows next is FANTASY CASTING for the Dire Deeds of the Guild of Ornamental Hermits AND for the Witching Work of the Guild of Ornamental Hermits–like a fan game, okay? It’s strictly for fun (unless the Wachowskis give me a ring). Got that?


Update 2020: My understanding of my characters has deepened and mutated since I wrote the first version of this blog post. This is partly because some of my characters have gone through changes, and also because The Witching Work adds a whole new cast of characters. I’ve also become aware of a whole lot of new and amazingly talented actors and performers since I first started these books in the fall of 2016. Many of these performers are LGBTQIA+, transgender, intersex, otherwise gender diverse, and/or perform drag. This revised fantasy casting list includes an increased number of such folx, particularly among the Elves and in the second book, Lucky LaFey’s witch daughters.

As a writer, it really helps to have “a face” to give to my characters. Actors and performers are easily “recruited” in this imaginative exercise. And so, enjoy the list below. I can’t promise it won’t change!

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These two books are about a group of human misfits (the Hermits) and their collisions with magic and a variety of supernatural beings, while having crazy dangerous adventures. It’s a “coming of age” story for characters who are already “old”–a tale of mid-life magic.

The Hermits of “Hermitville” (Book 1) and “Neoville” (Book 2)

*Babe Bump – intersex woman, pansexual. Imagining singer and actor, Eden Atwood, (with darker hair). She’d be terrific. And this song is a perfect way for her to express her feelings for her new sweetheart! Eden has been “the face” of Babe almost since the first chapter.

Babe often functions as the quiet, emotional center of The Hermits, but no one should underestimate her. She’s a sexy burlesque performer and an intersex activist, as bold in her way as Tomma is in zir’s. And she goes through some wild changes! [*Narrator]

*Tomma Bedlam – a gender fluid/non-binary person. Prounouns are ze and zir, and ze is pansexual. Tomma is a BIG personality–complex, creative, provocative, funny as hell, sexy, confrontational, flippant, intelligent, and courageous. Ze is also extremely tender-hearted. Tomma is Babe’s best friend.

I orginally had another person chosen for this fantasy casting, but lately I’ve been realizing that Dragula’s Disasterina (and the person behind her) has a lot of the emotional range, physicality, and humor that I associate with Tomma. Though I don’t see Tomma with quite the non-stop boisterous campiness of Disasterina, Tomma comes close in several scenes. I find myself wondering if the thoughtfulness (as well as the punk-drag energy) behind the creation of Disasterina would allow this performer to deliver the Tomma I imagine. It’s an interesting speculation! [*Narrator]

*Oyster Olson – trans man, asexual, pan-romantic. Imagining Will Krisanda who played Max in the Brothers series, but with a little grey hair added. For me, he’s been “the face” of Oyster Olson all along and I remain devoted to this fantasy casting choice. Will Krisanda has the kind of range that Oyster needs, as Oyster’s life takes many unexpected turns. (But he’d have to learn to play blues harp or fake it!). [* Narrator]

Aarrf Perry – a gender queer (they/them) “human puppy” who is also head of Hermitville security. This character requires a certain kind of versatility and has a pretty intense character growth. I now imagine Dina Nina Martinez in the roll, as she’s funny as hell and I think she could carry Aarrf’s character arc.

Joe Hillstrom – cisgender man, gay, photographer and personal trainer. I originally imagined Chiwetel Ejiofor, because he can pretty much do anything as an actor and I love him. However, there are several actors out there who could do wonderful things with Joe’s character.

Glysandra Shakti Om – cisgender woman, hetero, neo-tantra instructor. I originally imagined Helen McCrory (Peaky Blinders), as she is so sexually compelling. But there are others who do could the role too. There is potential for campy humor in this role, as Glysandra can be clueless but also overly sincere. If I was going to cast a drag performer, I’d go for Louisiana Purchase. I think she could do a lot with a hippy tantrika character!

Maximus Gordon – cisgender man, hetero, polyamorous, musician and singer. I imagine casting an actor like Morgan Freeman or Idris Elba, but as Maximus is somewhat kinky, it has to be someone comfortable with that kind of role. Maximus is a former folk singer and his ex-wife and current girlfriend both live in Hermitville. They all get along.

Sybil Perry – cisgender woman, heteroflexible, polyamorous, musician and singer. Imagining Annie Golden as Maximus’ former wife and folksinging partner.

Minnie Richmond – cisgender OR trans woman, heteroflexible, polyamorous, musician and singer. She is Maximus’ current GF. She and Maximus are somewhat kinky, so it has to be someone comfortable with that kind of role. I’d like this role to be given to a woman of color.

Jennifer Juniper – cisgender woman, hetero, musician and singer. Imagining Rhiannon Giddens or Valerie Junes, except they’re both so good and there might not be enough for a musican of that caliber to do. Perhaps this is a role for someone who is an actor first, musican second?

Frank Talk – intersex man, heteroflexible, musician. I’ve thought of Mx. Annunaki Ray Marquez, an intersex activist and former professional pirate actor. However, Frank goes through some tough times in the second book (spoiler alert) and so the trauma might be tough on an actor.

Rozaline Rae – cisgender OR trans woman, bisexual, musician/singer. Imagining someone with a persona similar to Poison Ivy (of The Cramps).

Ginger Croom – cisgender woman, hetero, age 70ish, winery heiress, Hermitville founder. Dies at beginning of the book. A “big” personality even so. I keep thinking Susan Sarandon (b. 1946), both for looks and for her activism (very much like Ginger’s). And who play the younger Ginger in flashbacks?

Sidley Croom – cisgender man, bisexual, Ginger’s younger brother. Sidley has red hair and a beard. Would look something like Jeff Bridges (b. 1949).

Elves of “The Realm” (Books 1 & 2)

Note: The Elves have 29 genders in their world, depending on their “element” at birth and timing of developmental “shifts” over the course of their lives.

Septimus Sitwell – Elf gender TBA. pansexual. Imagining Benedict Cumberbatch. Because this is a fantasy after all… And because Septimus has some great lines.

*Breadcrumb – Elf gender TBA, pansexual. Character based on Angela Mae, a clown and bellydancer who used to perform with Gooferman. I can imagine Jamie Clayton (Sense8 transgender actress) in this role. [*Book narrator.]

Professor Osbert Almond – Elf gender TBA, pansexual. Imagining Tom Hiddleston with long hair (but more gloss and gleam than Marvel Loki) — mostly because he is an amazing actor and could bring a lot of depth to the professor, who has a complex backstory. Or perhaps Alexander Vlahos (Versailles), with long, dark hair.

Parsifal Berry Blue – Elf gender TBA, pansexual, T.W.O.’s dad. Character based on the real-life Puddles, the Sad Clown with the Golden Voice. Would love to cast Puddles (Mike Geier) in this role.

Maud o’ Bedlam – Elf gender TBA, pansexual, Breadcrumb’s  mom. Imagining Eva Green (Penny Dreadful).

George Potts – Elf gender TBA, pansexual, married to Archie Smegley. Imagining Jake Zyrus (trans man actor/singer).

Archie Smegley – Elf gender TBA, pansexual, married to George Potts. Imagining Scott Turner Schofield (trans man actor) OR could be Evah Destruction, drag perfomer .

Gingevus Sitwell – Elf gender TBA, pansexual, brother to Septimus. Imagining Bill Nighy (with longish hair) OR could be Landon Cider, drag performer.

Who’s There – Elf gender TBA, pansexual. Imagining Biqtch Puddin’, drag performer (Dragula).

Hamfast – Elf gender TBA, pansexual, shapeshifter. Imagining Richard O’Brien (Rocky Horror Picture Show).

Hamfast shapeshifting as Goddess Mal-i-bu Bar-bee – Imagining Candis Cayne in a cameo appearance as “the Cosmic Soccer Mom.”

Supernatural Beings (Books 1 and 2)

Vesta the Salamander – this is a voice part.

Nienna, Elven Goddess – Dual role for Victoria Elizabeth Black (see Gyda below).

Lucky LaFey & Family (Book 2)

Lucky LaFey (Norse God Loki Laufeyjarson) – Imagining Hale Appleman (The Magicians), but with red hair.

Váli, Lucky & Sigyn’s Son – (changed into a wolf by Odin). Not yet cast.

Angrboda, Lucky’s Jotun wife – Powerful. Imagining Maxi Glamour, drag performer (Dragula).

Sigyn, Lucky’s Aesir wife – Imagining Kitana Kiki Rodriguez (Tangerine). Brief action role.

Gyda, Lucky’s Witch DaughterVictoria Elizabeth Black, drag performer (Dragula). And see Nienna, above. She could do both.

Runa, Witch DaughterIndya Moore, transgender actress (Pose). I can also see her as Breadcrumb though.

Magnhild, Witch DaughterDahli, drag performer (Dragula).

Ylva, Witch DaughterAngelica Ross, transgender actress (Pose).

Thyra, Witch Daughter – the “punk rock” one. James Majesty, drag performer (Dragula).

The rest of Lucky’s Witch Daughters, not yet cast. Eerika, Alva, Oili, Ase, Unn, Sigrid, Gunvor, Nanna, Ingrid, Eira, Asta, Sylvi — all could be played by transgender actresses and/or drag performers.

Sophie “Socks” Lokisdottir – a transient human trans girl adopted by Lucky. Not yet cast.

Bad Guys (Book 1)

Anna Phylaxia – cisgender woman, hetero, pretend “domme,” CEO of Anna’s Wicked Wares. Imagining Vander Von Odd as fantastic in this cis female role, as well as the person behind the scenes who designs quite a lot of The Realm scenery and Elf costumes.

Stanford Lawsome – cisgender, part-human, bisexual, Anna’s assistant. Half human. Imagining Reeve Carney (Penny Dreadful) with bleached hair and a spray tan.

The Lawyer® – gender neutral (ze, zir), Elsewherian supernatural foe, preference unknown. Imagining Jamie Casbon (Brothers) with a very corporate wardrobe.

Sri Niri Nimrod – cisgender man, hetero. Self-righteous yoga guy with man bun, leader of a Hippie Doomsday Cult. Small role. Haven’t cast him yet.

Bad Guys (Book 2)

Samuel Dipps aka “The Big Dipper” or “The Dip” – Wethrini supernatural foe. He looks like an orange, spray tanned “Malibu Ken” doll. This is a nasty villain! Haven’t imagined a fantasy actor yet. [Also, “The Dip” has minions, not yet specified.]

Anna Phylaxia – Returns as a friend of Samuel Dipp. See Bad Guys (Book 1).

Film Crew (Book 1)

Miranda Jackson – cisgender female, lesbian, documentary filmmaker. Have imagined someone like Lea DeLaria (Orange is the New Black).

Shank Stoma – Trans or gender queer person, sexual preference unknown. Camera. Imagining Hudson Krakowski (Brothers).

Eddie Sedgwick – Nonbinary trans male (they, their). Camera. Imagining Em Grosland (New Ambsterdam).

Toledo Jackson – Cisgender male, hetero. Miranda’s goat-selling, former tweaker brother. Hippie dude. Imagining someone similar to Russell Brand, but even more unraveled.

Hawaiian (Kanaka Maoli) Neighbors (Book 1)

Namaka – cisgender woman, mother of two including kapu (sacred) child. I imagine someone like singer/activist Hāwane Rios or singer/activist Laulani Teale.

Uncle Iolana – cisgender man, kupuna (cherished elder), age 70ish. I imagine someone like singer Liko Martin.

The kapu baby, Keikiokalani (gender not specified), and a boy of ten. Not cast.

This “casting” is actually a productive exercise for a (cis, white) writer to step out of a tendency to “cast white” and “cast cis” and to broaden the character possibilities beyond a token character or two, tossed in as a sop to “diversity.” It is also a way to search out and appreciate the work of talented people who in some cases have less recognition than they deserve. And it’s also a bit of “magical thinking.”

So mote it be.

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“Dire Deeds” Story Set in The Restored Hawaiian Kingdom

The Dire Deeds of the Guild of Ornamental Hermits takes place in Hawai’i in a “not too distant” future. As I work my way through the second draft, it became obvious to me that I wanted that future to consist of a recently restored Hawaiian Kingdom, one that (within the context of my fantasy novel) is still in a state of initial transition, yet is firmly established as a international, political, plausible reality.

In other words, in the future described in my book, the United States and its military is in the process of removing itself as per agreements and treaties made with those who represent the new Kingdom government and its multi-ethnic subjects: Kanaka Maoli (“native Hawaiians”) and descendents of Hawaiian Nationals who were subjects of the Kingdom at the time of the theft and occupation of Queen Liliu’okalani’s government and kingdom (1893). (The Queen is pictured below.) Kingdom restoration is now a “done deal” (in the book) and everyone living in Hawai’i has to deal with it, one way or another, including the Hermits of Hermitville on Hawai’i Island.

800px-Liliuokalani_sitting_on_chair_draped_with_feather_cloak

Before I get into what this means for my work of fiction, please check out the reality. For historical background, political considerations, legal context, international status, and current affairs regarding the actual Hawaiian Kingdom, you can go to Hawaiian Kingdom Blog, particularly this entry: U.S. Commits “Acts of War” against the Hawaiian Kingdom (Jan. 17, 2018). My novel may be a fantasy, but there are good reasons for considering restoration of the Hawaiian Kingdom as possible, plausible, and righteous, though it is not yet in a politically negotiated process with the U.S. (even if it should be).

Back to the book. Like everyone else who is not an actual descendent of a Kingdom citizen circa 1893, the Hermits of Hermitville have been living in Hawai’i as settler/colonists in a belligerently occupied nation (until the restoration of the Kingdom, of course). This status is at first unknown to them, as they’ve drunk the standard American “Hawai’i statehood” Kool-Aid. This is a status that Hermitville’s founder, winery heiress Ginger Croom, doesn’t understand either until she’s about ten years into her settlement on two, twenty-acre agricultural lots in the Puna District of Hawai’i Island. While she still doesn’t quite understand the land title issues, she does come to understand that a great wrong was done and she’d like to do something to give back to the community. Her way of making amends–or reparations–is to give over one of the twenty-acre lots to five Kanaka Maoli families who have direct ties to that land and she also establishes a building fund for them (in keeping with American philanthropic tradition). She keeps the remaining lot for the Hermitville Farm and Arts Collective. Like most people who purchase real estate in Hawai’i, she believes in her fee simple ownership. As a wealthy person, she also still thinks of what she’s done as a “gift.”

This means that when Ginger writes her will (and this is important to the plot), she assumes she can transfer ownership of this remaining twenty-acre plot to whomever she chooses, in the first case, to her brother Sidley.

But Ginger and the rest of the Hermits never reckoned on the actual restoration of the Hawaiian Kingdom in their lifetimes, and now the question is whether to ask to become naturalized citizens of the Kingdom–and if granted this and if permitted to stay, to renounce U.S. citizenship–or to return to the continental U.S. The Hermits, being a fairly progressive bunch, are strongly considering asking to stay, but they too don’t understand that even if they are granted citizenship, that the twenty-acre land base of Hermitville may very well be given back to its original owners, who are most likely Kanaka Maoli.

I asked a couple of my Kingdom activist friends for some guidance as to what might happen in a restored Kingdom government, regarding a will created by someone who is not a descendant of a Kingdom subject (on or before 1893) but who has made provisions for transferring ownership of Hawaiian land to an heir. One friend [a former lawyer–waiting for permission to use his name] talked about the initial seizure of much of Hawaiian land by (1) the U.S.-backed, so-called “provisional government” (an act of war) and (2) the later U.S. “territorial” government (there was no treaty of annexation, by the way), and (3) the “state” of Hawai’i. He said:

“There were raids on estates, the government, etc. I would EXPECT that these deceitful and fraudulent land transactions will be examined and evaluated AND, when good reason is found, that these deeds and/or other methods of conveyances will be reversed AND the lands returned to their rightful title owners, or if none can be found, to the valid konohiki of those lands OR, if not valid, to the government.”

Note: Wikipedia defines konohiki as “a headman of a land division or ahupua’a of the Kingdom of Hawaii who administered the land ruled by an ali’i chief.” This definition is in accordance with that found in the Hawaiian Dictionary by Mary Kawena Pukui and Samuel H. Elbert (p. 166).

Lynette Cruz, Ph.D., Kupuna at Hawai’i Pacific University, commented, “Might have an issue with title transfers after 1893.” [Update: thank you, Lynette, for correcting my terminology – “subject” is the correct term, not “citizen.”]

In present day Hawai’i, complex discussions of the validity of land title after 1893, based on the Hague World Court of Arbitration’s affirmation of the continuing existence of the Hawaiian Kingdom (but not the government) as per Larsen Vs. the Hawaiian Kingdom, have featured in some cases of foreclosures and defective title.

Unknown to the Hermits, however, forces even more complex and mysterious than Hawai’i land title matters will soon force them into an even more complicated relationship to the question, “Should I stay or should I go?”

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Oyster Olson – Humble Bluesman Turns Wizard

Oyster Olson is a resident of the fictitious Hermitville Farm and Arts Collective near Pahoa, Hawai’i Island. He is one of twelve “hermits” (musicians, artists, and oddballs) invited to live at the intentional community by the founder, winery heiress Ginger Croom. At the beginning of the book, Oyster has been a resident at the farm for about six years. And he’s probably the most introverted member of the community at that point.

Oyster didn’t start out in my mind as a main character in my work of fantasy fiction, but he, along with Tomma Bedlam and Babe Bump, have grown to become the three main human protagonists. Babe does most of the first person narration, but Oyster and Tomma also narrate chapters, and the friendship between the three is one of my major pleasures in writing this story.

At the start of the book, Oyster is shy, reserved, and somewhat unfocused–unless he’s playing music! In the second chapter, during the farm’s monthly “Community Emergency Response Training” (CERT) drill, Oyster has trouble remembering the meaning of the triage colors* (red, yellow, green) as Tomma, participating as a mock “disaster victim,” is carried to the medical tarp on a repurposed surfboard. Babe notices his distraction, but also takes note of his “swoony” brown eyes.

Oyster is a talented multi-instrumentalist. He plays blues harp (harmonica), synthesizer, keyboards, and even harpsichord, with The Incredible Unstrung Band (the farm band). While skilled on keyboards, his real joy is playing the blues on his harp. At one point in the book he’s delighted to find that Babe recognizes a Charlie Musselwhite tune that he’s playing (Sorcerer’s Dream). Babe, a neo-burlesque artiste, tells Oyster that she’s been a fan of Musselwhite since her teens, and that blues and burlesque go together like “poke and poi.”

Oyster is a transgender man. He’s been keeping this private at Hermitville for personal reasons, but eventually confides in Babe, who is very out as an intersex rights activist. (Tomma, a gender variant person with ze/zir pronouns, figured out Oyster’s secret on zir own, but discreetly never mentioned it.) One wonders why Oyster didn’t confide in Babe and Tomma before, but as I said earlier, the guy is shy!

A_TransGender-Symbol_Plain1

Oyster’s growth in the book is a result of his growing friendship and intimacy with Babe and Tomma, along with his training in magical arts, and through the magical, multi-dimensional challenges and dangers they all face together.

If I were to cast Oyster’s part in a movie version of the book, I know exactly which trans male actor would get the part. He’s a little younger than Oyster (who is in his mid-40s), but could definitely carry the role. He’s got the right look and “vibe.” Just add a few gray hairs…

*Red-Immmediate Care, Yellow – Delayed Care. Green – Minimal Care. When I lived in Pahoa, HI, I took the CERT training. I had also taken it in Albany, CA.

Why a Tale of “Mid-Life Magic?”

'Fairy_Islands'_from_the_book_Elves_and_Fairies_1916_by_Ida_Rentoul_OuthwaiteI grew up reading fairy tales and fantasy fiction. I always wanted to see myself as one of the characters in whatever I was reading and/or have that character’s abilities. Childhood examples include: Captain Nemo in 20,000 Leagues Under the Sea (for having the coolest submarine and for being disgusted with humanity); Doctor Doolittle (for being able to talk with animals); and pretty much any fairy princess you can name (for magic adventures and caskets of diamonds, rubies, and emeralds) – except the Disney variety, thank god. I’m too old for that to have had much, if any, impact on my childhood! I loved and devoured books by Edgar Eager, E. Nesbit, Madeline L’Engle, C.S. Lewis–and of course J.R.R. Tolkien (in my teens). By the time I was eighteen, I had most of the Andrew Lang collections of fairy tales, each volume a different color. And the only relic of my late father that I possess is a book of Japanese fairy tales he sent to me after the divorce, when I was about four years old.

My children of course went through the Harry Potter series, C.S. Lewis Narnia books, and Tolkien. My ex and I read The Hobbit and Lord of the Rings to each kid, more than once. (Tolkien really wrote for the breath and voice. It’s astonishing when you read those books aloud.) And there were other writers and other books. For my oldest, a number of brave girl warrior type adventures, and Emma Bull’s War for the Oaks and Finder. For my youngest, the Redwall series (Brian Jacques) and Bartimaeus series (Jonathan Stroud).

So my life has been steeped in such tales, and now, as I am older (much older), I want the magic adventures to continue, with characters that are my age or thereabouts. One of the few stories that has come close is A.S. Byatt’s The Djinn in the Nightingale’s Eye.

Plus, I have had my own true-life collisions with “mid-life magic” and this has been an unexpected and fascinating development. Sexology (I’m a sexologist) pales somewhat by comparison.

So, The Dire Deeds of the Guild of Ornamental Hermits is a story about (mostly counter-culture) people over the age of 40, and some who are much older. The Elves, for example, last a lot longer than humans and don’t age at the same rate. And I, as the writer, am able to wave my magic word wand around and grant attributes and situations, as well as varied genders, sexual preferences, and magic “superpowers” to the characters who have come to populate the Hermitville and The (Elven) Realm of my imagination.

And in that way, the magical adventures continue!

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Tolkien’s Valar and Maiar – Deities of the Elves

For the second draft of The Dire Deeds of the Guild of Ornamental Hermits, I decided to switch out almost all of the references to various deities actually worshipped by human beings (past and present) and replace them with references to J.R.R. Tolkien’s cosmic pantheon as described in his Silmarillion. Aside from Elves, I have also now replaced other references to existing magical beings and “faery cities” with words based on Tolkien’s languages.

The idea of “Elves” has been used so often, for so many kinds of beings–from Santa’s Elves to Tolkien’s, from Norse Elves to Emma Bull’s–and everything in between, that I feel okay about including them and creating my own concepts of them.

I did this (1) to avoid giving offense to people currently engaged with a variety of Celtic, Heathen, and other pagan traditions; (2) as a homage to Tolkien; and (3) to have more freedom to create a fictitious magical foundation for the Guild of Ornamental Hermits.

Tolkien describes his collection of deities, known as Valar and Maiar, and their functions in great detail. I use a few of these figures. I’ve also used some of their names to create four elemental “cities” (Arda or Ardae) that correspond to elements: Ulmaria (water); Manwaria (air); Auleria (fire); and Yavannia (earth). (Tolkien had used “Arda” as a word for the place humans live, but I snagged it to refer to certain locations in the Elves’ Realm.)

The magical training given by the Elves of the Hermits of Hermitville also has a lot to do with these faery cities and elements. The three major characters of Babe Bump, Oyster Olson, and Tomma Bedlam are all linked with Murias, due to their astrological signs. These three characters each have unique magical gifts. Babe is a medium; Tomma has an affinity with magical creatures; and Oyster is definitely wizard material. As such he is the keeper of the mysterious Book of Moons, created by the original Guild of Ornamental Hermits.

Creating the “mythos” that matches the story is definitely one of the challenging parts of writing fantasy fiction!

Johann_Landner_Litho

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Guild Origins: Twelve Founding Families

12 Families & Hermits

This chart gives a rough genealogy of the twelve families who, in collaboration with Elves masquerading as “ornamental hermits,” founded The Guild of Ornamental Hermits during the later part of the witch persecutions in England.  The esoteric purpose of the guild was to provide instruction and further collaborative magic between Elves of The Realm and human beings. The practical purpose of the guild was to identify and rescue people who were at risk of witch persecution. The activities of the original members, both Elf and human, will be the topic of a future book. In this first work of fantasy fiction, The Dire Deeds of the Ornamental Hermits, Ginger Croom, California winery heiress and founder of Hermitville Farm and Arts Collective on Hawai’i Island, has gathered together descendents of these first families, (aka “hermits of Hermitville”) and in the book, these descendents must come to terms with a magical heritage that had been unknown to them.

Information about the twelve families and the guild is found in The Book of Moons, a mysterious volume which Oyster Olson inherits from Ginger Croom. (The name, Book of Moons, is taken from the anonymously authored, seventeenth century poem, Tom ‘o Bedlam.)

The Elves who are currently involved with the “hermits of Hermitville” are the same as those involved with the twelve founding families. (Elves are more or less immortal.) The chart below details the ritual work done by each Elf in England and their more modern jobs titles in the 21st century (Other Function column). The chart also shows which Elves end up mentoring which “hermits” of Hermitville. Please note that Gingevus Sitwell does become the mentor of Glysandra, but this does not show up on this chart. Also, Professor Almond ends up switching to mentoring Oyster, further along in the book. But for now, you can get a sense of the personnel!

If you’re confused, not to worry. All will become clear in the book!

Hermit Functions.jpg

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Intersex Characters in Hermitville

Babe Bump, the book’s primary narrator, and Frank Talk, one of Hermitville’s fine musicans, live in bodies that have intersex variations. However, Babe and Frank each deal with a different set of circumstances, as the intersex variation of each character is different.

Babe was born with partial androgen insensitivity. Fortunately for Babe, her parents resisted medical and social pressure to force genital surgery on her. She self-identified as female at an early age and so did not want androgen therapy at puberty. If you want a simple label, you can think of her as a woman with XY chromosomes. Babe is generally “out” as an intersex person as she is an activist for intersex and trans rights (as well as a well-known neo-burlesque performer).

Frank keeps his condition relatively private, but confided in Babe during the first few months of their residency at Hermitville. Frank has 47 XXY chromosomes, which is known as Klinefelter Syndrome. Most of the other Hermits don’t know, mostly because Frank doesn’t think it is any of their business. He is a performer and he focuses primarily on his music.

Though I am not intersex myself, I included intersex characters in this book, as well as other gender variant and sexually diverse characters, for several reasons – including my background as a sexologist and commitment to sexual and gender rights, my being the mother of a trans non-binary person, and just a general sense of fairness. In the interest of greater visibility, more such characters need to be included in a majority of written and filmed materials. However, characters with such variations do not necessarily need writers to be hyper-focused on the variations, either. This could just be a part of who they are, not the totality of their identities or the totality of how we view or understand them.

So, even though this is fantasy fiction (I’m not an Elf either, but I’m writing about them), I am hoping to do my part to help heighten visibility and awareness for a number of different types of people who are marginalized, including many people in the LGBTQIA etc. categories. The struggles that Intersex people face are almost beyond imagining (including forced surgical mutilation), and yet are very little known to the general public.

I encourage readers to check out these links:

United Nations Intersex Factsheet

Organization Intersex International USA and the Intersex Campaign for Equality

Mx. Annunaki Ray is an intersex activist with many incredible links and blog posts. Check out the page on links for intersex allies, including this printable PDF from OII.

Below is the symbol for Intersex Awareness Day (Oct. 26) and Intersex Day of Solidarity.

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Finally, if a movie is ever made from this book (Hear that, Wachowskis? I’d want YOU to direct! That’s my dream!), I would want intersex actors to play the intersex characters, trans actors to play trans characters, and so on – so all these folks could get more work!

Edith Sitwell and Tom o’ Bedlam

Here are two of the most pervasive and enduring influences on me, as I make my way through the writing of this work of fantasy fiction.

First, Edith Sitwell’s English Eccentrics, which has a chapter on Ornamental Hermits. Some of England’s “landed gentry” really did hire ornamental hermits to flit about in the shrubbery for their amusement. I believe this should be a 21st century career choice, with better wages and job security, even a union, of course! The San Francisco Chronicle once rejected my (somewhat satirical, somewhat serious) advocacy of a unionized Hermits Guild as a career option for people in need of work (I would have applied!), but the editor did compliment me on providing the most obscure literary reference to come across their desks! I still think a Hermit’s Guild could have made neat use of cast-off costumes from ACT and Beach Blanket Babylon!

In fact, in 2016, the village of Adleburgh advertised for a professional “village idiot,” which I am convinced is very much in the spirit of Ornamental Hermiting.

ornamental-hermit

Secondly,  Tom o’ Bedlam, a poem written (most likely) in the 17th century, author unknown. And this musical version by the Rude Mechanicals. The late Michael Rossman, of Free Speech Movement fame, is the vocalist. Nay, more than a mere vocalist! He became Tom when he sang. Should this book ever be made into a movie, I’ll lobby hard for this version of the song to be part of the soundtrack. My character, Tomma Bedlam, named zirself after this poem. The “madness” of another character also loosely follows Tom’s trajectory.

http://www.metmuseum.org/art/collection/search/339842

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