“The Witching Work” Has Begun!

November 1st (my birthday) is also the start of each year’s National Novel Writing Month, fondly known as NaNoWriMo.

Best_Buffalmacco,_trionfo_della_morte,_eremiti_02 copyIn NaNoWriMo 2016, I launched my fantasy novel, The Dire Deeds of the Guild of Ornamental Hermits, and continued to write all year. In NaNoWriMo 2017, I continued work on Dire Deeds and then revised and completed it this last summer. Now in NaNoWriMo 2018, I have officially begun work on the second book in this proposed fantasy trilogy–The Witching Work of the Guild of Ornamental Hermits.

I’m off to a good start! By the end of November 3rd, I had over 8,000 words logged in to my NaNoWriMo author page.

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You Need a Scorecard to Keep Track…

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Here is a list of some of the relationship configurations involving the characters in The Dire Deeds of the Guild of Ornamental Hermits, a work of fantasy fiction. Many involve characters in LGBTQIA categories. Kink and nonmonogamy are represented as well. (I’m not even including most of the Elves in this list.) There are a couple of spoilers here:
1) There are twelve human characters who are residents of Hermitville. Each one has an Elf mentor (most of these are nonsexual relationships).
2) Spoiler: Babe Bump (pansexual, intersex woman) and Oyster Olson (asexual, pan-romantic trans man) become fond of each other. Tomma Bedlam (pansexual, trans, non-binary person) makes three.
3) Tomma is also involved with a butch lesbian (former) lover and there may be a surprise Elf/Human triad in zir future.
4) Divorced couple Massive Max and Sybil are kinky and still sometimes get together when their lover Maxine can make it a trio.
5) Joe Hillstrom and Sidley Croom are an on-again, off-again gay couple with a long, complicated past.
6) Hermitville’s founder, Ginger Croom, may have had a Fey lover in her youth.
7) Aarrf, a multi-gendered human puppy, finds an Elven master.
8) Glysandra, a tantrika, is Ginger Croom’s tantra partner, even though they claim to be “not lovers.”
9) Archie and George (Elves) are still on their honeymoon after 350 years.
10) Sidley Croom also hooks up with at least one “bad guy” and has had hopes for several other liaisons.
11) A few characters have human/fey parentage (backstories in the second book!).
12) Parsifal and Maud (Elves) are a dyad but also part of a larger group marriage.
13) A giant salamander that really loves buildings.
14) Most of the Elves have not yet divulged their sexual preferences. However, there are twenty-nine possible Elven genders…
15) Several of the humans have not yet divulged either.
And yet, with all this, I haven’t written one single explicit sex scene, nor do I intend to do so! It’s kind of more fun this way.
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Elf and Human Magical Intersectionality

This is an excerpt from Chapter Twenty, Stalking the Wild. Elves and the human “hermits” try to parse magical intersectionality and magical identities…

So Indigo did her best to explain. We did our best to understand. Scrying wasn’t so hard. It’s just fortune telling with a crystal ball or a mirror or a plate of water. Trying to see things. The rest of it was more complicated. Finally Indigo shrugged and said, “We’ll walk you through it when the time comes. Don’t worry about it.”

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Jennifer sighed, “I thought magic adventures were supposed to happen to you when you’re a kid, not when you’re a post-menopausal rock ’n’ roller!”

“Yeah,” Massive agreed. “Hermitville ain’t no Hogwarts!”

“Yep, Hashtag Muggles No More.” Tomma giggled, while the Wubbies began to squeal for food crumbs.

The funny thing was, the Fey Folk were totally digging this exchange. They were apparently all avid fans of human movies. Archie said Elven academia was obsessed with critiquing movies and literature which depicted human encounters with magical beings and powers. There were even sub-disciplines which dealt with questions of magical intersectionality—various types of oppression and privilege involving magical and non-magical beings—as depicted in human media.

Aarrf was saying things like, “So, now that I’ve learned I’m only half-human, how do I present my authentic self in a culture based on werewolves and furry jokes? A culture that doesn’t even acknowledge that people like me exist? And I don’t exactly feel comfortable with the Otherkin community either, because I tend to see them as emotionally othered, not genetically othered. What do I do with my lived experience as an actual part-phouka? And does my phouka blood enable me to know the true phouka experience, as I wasn’t raised as a phouka?”

And Tomma was saying things like, “Maybe that’s just internalized self-hatred, Aarrf, that you can’t see that many Otherkin folk might also be genetically othered? I mean, look how our culture treats animals! How would you expect it to treat people who are part supernatural animal? Denial, that’s what!”

Breadcrumb was expounding on examples of sexism in Harry Potter movies, “People make fun of Hermoine for actually working hard to get better at magic. What’s up with that?”

And Roz was saying, “Yeah, and what about all that ‘sexy witches on Halloween’ stuff? As if we can only be valuable, magically, if we’re also sexy according to the false standards of beauty foisted on us by a sexist capitalist economy! As if our only real magic is between our well-shaved legs!”

“And our well-shaved armpits,” yelled Maxine.

“Or in our well-shaved…uh, nevermind,” Tomma pretended to look embarrasssed.

The professor was giving Parsifal an earful about human perceptions of class conflicts between so-called high Elves and “lower” magical beings like brownies and gnomes. “For example, in War for the Oaks, the queens of both faery courts are consistantly overdressed, which is supposed to indicate their high status among the fey folk, however the humans equate this with snobbery and despise it.” (Parsifal just fondled his puffy buttons and didn’t say much.)

“Like Miz P?” Tomma asked.

Meanwhile Septimus was muttering, “Well, we do like to dress up you know! The magic garment industry is one of the most important in the Realm.”

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And Breadcrumb Makes Three…Elf Character Spotlight.

Breadcrumb (also known as “The Wee One” or “T.W.O.” for short) is an Elf smitten with human clowning and clown fashion. Physically I see her very much as an Angela Mae type. Angela Mae being an immensely talented bellydancer and clown who has performed with the band, Gooferman. Angela Mae is definitely a major muse for this character!

In this book, some Elves are quite taken with human subcultures, as immortality can get a little stale without interdimensional novelty. They go in for human fads, artifacts, and “spill-over phrases” (cliches and memes). Breadcrumb is certainly one of these Elves, with a ruby-rouged nose, striped tights, and a light tunic of spider silk.

Her father, Parsifal, is another. Puddles, the Sad Clown with the Golden Voice, is the primary muse for the character of Parsifal. You can get a sense of Parsifal in action in the excerpt, Elven Glamour Run Amok.

Breadcrumb’s mother, however, is the formidable, no-nonsense Maud o’ Bedlam, an experienced interdimensional operative. (I see Eva Green as the ideal Maud!)

Breadcrumb may be a classic Manic-Pixie (Elf) Girl, capable of shimmies, pouts, and nonsequiturs, but when the forces of evil descend on Hermitville Farm and Arts Collective, Maud and Parsifal have good reason to be proud of their daughter as she transforms into “Head Elf in Charge.”

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Movie Casting Fantasies

What follows next is FANTASY CASTING for the Dire Deeds of the Guild of Ornamental Hermits AND for the Witching Work of the Guild of Ornamental Hermits–like a fan game, okay? It’s strictly for fun (unless the Wachowskis give me a ring). Got that?


Update 2020: My understanding of my characters has deepened and mutated since I wrote the first version of this blog post. This is partly because some of my characters have gone through changes, and also because The Witching Work adds a whole new cast of characters. I’ve also become aware of a whole lot of new and amazingly talented actors and performers since I first started these books in the fall of 2016. Many of these performers are LGBTQIA+, transgender, intersex, otherwise gender diverse, and/or perform drag. This revised fantasy casting list includes an increased number of such folx, particularly among the Elves and in the second book, Lucky LaFey’s witch daughters.

As a writer, it really helps to have “a face” to give to my characters. Actors and performers are easily “recruited” in this imaginative exercise. And so, enjoy the list below. I can’t promise it won’t change!

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These two books are about a group of human misfits (the Hermits) and their collisions with magic and a variety of supernatural beings, while having crazy dangerous adventures. It’s a “coming of age” story for characters who are already “old”–a tale of mid-life magic.

The Hermits of “Hermitville” (Book 1) and “Neoville” (Book 2)

*Babe Bump – intersex woman, pansexual. Imagining singer and actor, Eden Atwood, (with darker hair). She’d be terrific. And this song is a perfect way for her to express her feelings for her new sweetheart! Eden has been “the face” of Babe almost since the first chapter.

Babe often functions as the quiet, emotional center of The Hermits, but no one should underestimate her. She’s a sexy burlesque performer and an intersex activist, as bold in her way as Tomma is in zir’s. And she goes through some wild changes! [*Narrator]

*Tomma Bedlam – a gender fluid/non-binary person. Prounouns are ze and zir, and ze is pansexual. Tomma is a BIG personality–complex, creative, provocative, funny as hell, sexy, confrontational, flippant, intelligent, and courageous. Ze is also extremely tender-hearted. Tomma is Babe’s best friend.

I orginally had another person chosen for this fantasy casting, but lately I’ve been realizing that Dragula’s Disasterina (and the person behind her) has a lot of the emotional range, physicality, and humor that I associate with Tomma. Though I don’t see Tomma with quite the non-stop boisterous campiness of Disasterina, Tomma comes close in several scenes. I find myself wondering if the thoughtfulness (as well as the punk-drag energy) behind the creation of Disasterina would allow this performer to deliver the Tomma I imagine. It’s an interesting speculation! [*Narrator]

*Oyster Olson – trans man, asexual, pan-romantic. Imagining Will Krisanda who played Max in the Brothers series, but with a little grey hair added. For me, he’s been “the face” of Oyster Olson all along and I remain devoted to this fantasy casting choice. Will Krisanda has the kind of range that Oyster needs, as Oyster’s life takes many unexpected turns. (But he’d have to learn to play blues harp or fake it!). [* Narrator]

Aarrf Perry – a gender queer (they/them) “human puppy” who is also head of Hermitville security. This character requires a certain kind of versatility and has a pretty intense character growth. I now imagine Dina Nina Martinez in the roll, as she’s funny as hell and I think she could carry Aarrf’s character arc.

Joe Hillstrom – cisgender man, gay, photographer and personal trainer. I originally imagined Chiwetel Ejiofor, because he can pretty much do anything as an actor and I love him. However, there are several actors out there who could do wonderful things with Joe’s character.

Glysandra Shakti Om – cisgender woman, hetero, neo-tantra instructor. I originally imagined Helen McCrory (Peaky Blinders), as she is so sexually compelling. But there are others who do could the role too. There is potential for campy humor in this role, as Glysandra can be clueless but also overly sincere. If I was going to cast a drag performer, I’d go for Louisiana Purchase. I think she could do a lot with a hippy tantrika character!

Maximus Gordon – cisgender man, hetero, polyamorous, musician and singer. I imagine casting an actor like Morgan Freeman or Idris Elba, but as Maximus is somewhat kinky, it has to be someone comfortable with that kind of role. Maximus is a former folk singer and his ex-wife and current girlfriend both live in Hermitville. They all get along.

Sybil Perry – cisgender woman, heteroflexible, polyamorous, musician and singer. Imagining Annie Golden as Maximus’ former wife and folksinging partner.

Minnie Richmond – cisgender OR trans woman, heteroflexible, polyamorous, musician and singer. She is Maximus’ current GF. She and Maximus are somewhat kinky, so it has to be someone comfortable with that kind of role. I’d like this role to be given to a woman of color.

Jennifer Juniper – cisgender woman, hetero, musician and singer. Imagining Rhiannon Giddens or Valerie Junes, except they’re both so good and there might not be enough for a musican of that caliber to do. Perhaps this is a role for someone who is an actor first, musican second?

Frank Talk – intersex man, heteroflexible, musician. I’ve thought of Mx. Annunaki Ray Marquez, an intersex activist and former professional pirate actor. However, Frank goes through some tough times in the second book (spoiler alert) and so the trauma might be tough on an actor.

Rozaline Rae – cisgender OR trans woman, bisexual, musician/singer. Imagining someone with a persona similar to Poison Ivy (of The Cramps).

Ginger Croom – cisgender woman, hetero, age 70ish, winery heiress, Hermitville founder. Dies at beginning of the book. A “big” personality even so. I keep thinking Susan Sarandon (b. 1946), both for looks and for her activism (very much like Ginger’s). And who play the younger Ginger in flashbacks?

Sidley Croom – cisgender man, bisexual, Ginger’s younger brother. Sidley has red hair and a beard. Would look something like Jeff Bridges (b. 1949).

Elves of “The Realm” (Books 1 & 2)

Note: The Elves have 29 genders in their world, depending on their “element” at birth and timing of developmental “shifts” over the course of their lives.

Septimus Sitwell – Elf gender TBA. pansexual. Imagining Benedict Cumberbatch. Because this is a fantasy after all… And because Septimus has some great lines.

*Breadcrumb – Elf gender TBA, pansexual. Character based on Angela Mae, a clown and bellydancer who used to perform with Gooferman. I can imagine Jamie Clayton (Sense8 transgender actress) in this role. [*Book narrator.]

Professor Osbert Almond – Elf gender TBA, pansexual. Imagining Tom Hiddleston with long hair (but more gloss and gleam than Marvel Loki) — mostly because he is an amazing actor and could bring a lot of depth to the professor, who has a complex backstory. Or perhaps Alexander Vlahos (Versailles), with long, dark hair.

Parsifal Berry Blue – Elf gender TBA, pansexual, T.W.O.’s dad. Character based on the real-life Puddles, the Sad Clown with the Golden Voice. Would love to cast Puddles (Mike Geier) in this role.

Maud o’ Bedlam – Elf gender TBA, pansexual, Breadcrumb’s  mom. Imagining Eva Green (Penny Dreadful).

George Potts – Elf gender TBA, pansexual, married to Archie Smegley. Imagining Jake Zyrus (trans man actor/singer).

Archie Smegley – Elf gender TBA, pansexual, married to George Potts. Imagining Scott Turner Schofield (trans man actor) OR could be Evah Destruction, drag perfomer .

Gingevus Sitwell – Elf gender TBA, pansexual, brother to Septimus. Imagining Bill Nighy (with longish hair) OR could be Landon Cider, drag performer.

Who’s There – Elf gender TBA, pansexual. Imagining Biqtch Puddin’, drag performer (Dragula).

Hamfast – Elf gender TBA, pansexual, shapeshifter. Imagining Richard O’Brien (Rocky Horror Picture Show).

Hamfast shapeshifting as Goddess Mal-i-bu Bar-bee – Imagining Candis Cayne in a cameo appearance as “the Cosmic Soccer Mom.”

Supernatural Beings (Books 1 and 2)

Vesta the Salamander – this is a voice part.

Nienna, Elven Goddess – Dual role for Victoria Elizabeth Black (see Gyda below).

Lucky LaFey & Family (Book 2)

Lucky LaFey (Norse God Loki Laufeyjarson) – Imagining Hale Appleman (The Magicians), but with red hair.

Váli, Lucky & Sigyn’s Son – (changed into a wolf by Odin). Not yet cast.

Angrboda, Lucky’s Jotun wife – Powerful. Imagining Maxi Glamour, drag performer (Dragula).

Sigyn, Lucky’s Aesir wife – Imagining Kitana Kiki Rodriguez (Tangerine). Brief action role.

Gyda, Lucky’s Witch DaughterVictoria Elizabeth Black, drag performer (Dragula). And see Nienna, above. She could do both.

Runa, Witch DaughterIndya Moore, transgender actress (Pose). I can also see her as Breadcrumb though.

Magnhild, Witch DaughterDahli, drag performer (Dragula).

Ylva, Witch DaughterAngelica Ross, transgender actress (Pose).

Thyra, Witch Daughter – the “punk rock” one. James Majesty, drag performer (Dragula).

The rest of Lucky’s Witch Daughters, not yet cast. Eerika, Alva, Oili, Ase, Unn, Sigrid, Gunvor, Nanna, Ingrid, Eira, Asta, Sylvi — all could be played by transgender actresses and/or drag performers.

Sophie “Socks” Lokisdottir – a transient human trans girl adopted by Lucky. Not yet cast.

Bad Guys (Book 1)

Anna Phylaxia – cisgender woman, hetero, pretend “domme,” CEO of Anna’s Wicked Wares. Imagining Vander Von Odd as fantastic in this cis female role, as well as the person behind the scenes who designs quite a lot of The Realm scenery and Elf costumes.

Stanford Lawsome – cisgender, part-human, bisexual, Anna’s assistant. Half human. Imagining Reeve Carney (Penny Dreadful) with bleached hair and a spray tan.

The Lawyer® – gender neutral (ze, zir), Elsewherian supernatural foe, preference unknown. Imagining Jamie Casbon (Brothers) with a very corporate wardrobe.

Sri Niri Nimrod – cisgender man, hetero. Self-righteous yoga guy with man bun, leader of a Hippie Doomsday Cult. Small role. Haven’t cast him yet.

Bad Guys (Book 2)

Samuel Dipps aka “The Big Dipper” or “The Dip” – Wethrini supernatural foe. He looks like an orange, spray tanned “Malibu Ken” doll. This is a nasty villain! Haven’t imagined a fantasy actor yet. [Also, “The Dip” has minions, not yet specified.]

Anna Phylaxia – Returns as a friend of Samuel Dipp. See Bad Guys (Book 1).

Film Crew (Book 1)

Miranda Jackson – cisgender female, lesbian, documentary filmmaker. Have imagined someone like Lea DeLaria (Orange is the New Black).

Shank Stoma – Trans or gender queer person, sexual preference unknown. Camera. Imagining Hudson Krakowski (Brothers).

Eddie Sedgwick – Nonbinary trans male (they, their). Camera. Imagining Em Grosland (New Ambsterdam).

Toledo Jackson – Cisgender male, hetero. Miranda’s goat-selling, former tweaker brother. Hippie dude. Imagining someone similar to Russell Brand, but even more unraveled.

Hawaiian (Kanaka Maoli) Neighbors (Book 1)

Namaka – cisgender woman, mother of two including kapu (sacred) child. I imagine someone like singer/activist Hāwane Rios or singer/activist Laulani Teale.

Uncle Iolana – cisgender man, kupuna (cherished elder), age 70ish. I imagine someone like singer Liko Martin.

The kapu baby, Keikiokalani (gender not specified), and a boy of ten. Not cast.

This “casting” is actually a productive exercise for a (cis, white) writer to step out of a tendency to “cast white” and “cast cis” and to broaden the character possibilities beyond a token character or two, tossed in as a sop to “diversity.” It is also a way to search out and appreciate the work of talented people who in some cases have less recognition than they deserve. And it’s also a bit of “magical thinking.”

So mote it be.

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Why a Tale of “Mid-Life Magic?”

'Fairy_Islands'_from_the_book_Elves_and_Fairies_1916_by_Ida_Rentoul_OuthwaiteI grew up reading fairy tales and fantasy fiction. I always wanted to see myself as one of the characters in whatever I was reading and/or have that character’s abilities. Childhood examples include: Captain Nemo in 20,000 Leagues Under the Sea (for having the coolest submarine and for being disgusted with humanity); Doctor Doolittle (for being able to talk with animals); and pretty much any fairy princess you can name (for magic adventures and caskets of diamonds, rubies, and emeralds) – except the Disney variety, thank god. I’m too old for that to have had much, if any, impact on my childhood! I loved and devoured books by Edgar Eager, E. Nesbit, Madeline L’Engle, C.S. Lewis–and of course J.R.R. Tolkien (in my teens). By the time I was eighteen, I had most of the Andrew Lang collections of fairy tales, each volume a different color. And the only relic of my late father that I possess is a book of Japanese fairy tales he sent to me after the divorce, when I was about four years old.

My children of course went through the Harry Potter series, C.S. Lewis Narnia books, and Tolkien. My ex and I read The Hobbit and Lord of the Rings to each kid, more than once. (Tolkien really wrote for the breath and voice. It’s astonishing when you read those books aloud.) And there were other writers and other books. For my oldest, a number of brave girl warrior type adventures, and Emma Bull’s War for the Oaks and Finder. For my youngest, the Redwall series (Brian Jacques) and Bartimaeus series (Jonathan Stroud).

So my life has been steeped in such tales, and now, as I am older (much older), I want the magic adventures to continue, with characters that are my age or thereabouts. One of the few stories that has come close is A.S. Byatt’s The Djinn in the Nightingale’s Eye.

Plus, I have had my own true-life collisions with “mid-life magic” and this has been an unexpected and fascinating development. Sexology (I’m a sexologist) pales somewhat by comparison.

So, The Dire Deeds of the Guild of Ornamental Hermits is a story about (mostly counter-culture) people over the age of 40, and some who are much older. The Elves, for example, last a lot longer than humans and don’t age at the same rate. And I, as the writer, am able to wave my magic word wand around and grant attributes and situations, as well as varied genders, sexual preferences, and magic “superpowers” to the characters who have come to populate the Hermitville and The (Elven) Realm of my imagination.

And in that way, the magical adventures continue!

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Tolkien’s Valar and Maiar – Deities of the Elves

For the second draft of The Dire Deeds of the Guild of Ornamental Hermits, I decided to switch out almost all of the references to various deities actually worshipped by human beings (past and present) and replace them with references to J.R.R. Tolkien’s cosmic pantheon as described in his Silmarillion. Aside from Elves, I have also now replaced other references to existing magical beings and “faery cities” with words based on Tolkien’s languages.

The idea of “Elves” has been used so often, for so many kinds of beings–from Santa’s Elves to Tolkien’s, from Norse Elves to Emma Bull’s–and everything in between, that I feel okay about including them and creating my own concepts of them.

I did this (1) to avoid giving offense to people currently engaged with a variety of Celtic, Heathen, and other pagan traditions; (2) as a homage to Tolkien; and (3) to have more freedom to create a fictitious magical foundation for the Guild of Ornamental Hermits.

Tolkien describes his collection of deities, known as Valar and Maiar, and their functions in great detail. I use a few of these figures. I’ve also used some of their names to create four elemental “cities” (Arda or Ardae) that correspond to elements: Ulmaria (water); Manwaria (air); Auleria (fire); and Yavannia (earth). (Tolkien had used “Arda” as a word for the place humans live, but I snagged it to refer to certain locations in the Elves’ Realm.)

The magical training given by the Elves of the Hermits of Hermitville also has a lot to do with these faery cities and elements. The three major characters of Babe Bump, Oyster Olson, and Tomma Bedlam are all linked with Murias, due to their astrological signs. These three characters each have unique magical gifts. Babe is a medium; Tomma has an affinity with magical creatures; and Oyster is definitely wizard material. As such he is the keeper of the mysterious Book of Moons, created by the original Guild of Ornamental Hermits.

Creating the “mythos” that matches the story is definitely one of the challenging parts of writing fantasy fiction!

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Guild Origins: Twelve Founding Families

12 Families & Hermits

This chart gives a rough genealogy of the twelve families who, in collaboration with Elves masquerading as “ornamental hermits,” founded The Guild of Ornamental Hermits during the later part of the witch persecutions in England.  The esoteric purpose of the guild was to provide instruction and further collaborative magic between Elves of The Realm and human beings. The practical purpose of the guild was to identify and rescue people who were at risk of witch persecution. The activities of the original members, both Elf and human, will be the topic of a future book. In this first work of fantasy fiction, The Dire Deeds of the Ornamental Hermits, Ginger Croom, California winery heiress and founder of Hermitville Farm and Arts Collective on Hawai’i Island, has gathered together descendents of these first families, (aka “hermits of Hermitville”) and in the book, these descendents must come to terms with a magical heritage that had been unknown to them.

Information about the twelve families and the guild is found in The Book of Moons, a mysterious volume which Oyster Olson inherits from Ginger Croom. (The name, Book of Moons, is taken from the anonymously authored, seventeenth century poem, Tom ‘o Bedlam.)

The Elves who are currently involved with the “hermits of Hermitville” are the same as those involved with the twelve founding families. (Elves are more or less immortal.) The chart below details the ritual work done by each Elf in England and their more modern jobs titles in the 21st century (Other Function column). The chart also shows which Elves end up mentoring which “hermits” of Hermitville. Please note that Gingevus Sitwell does become the mentor of Glysandra, but this does not show up on this chart. Also, Professor Almond ends up switching to mentoring Oyster, further along in the book. But for now, you can get a sense of the personnel!

If you’re confused, not to worry. All will become clear in the book!

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“Hermitville in Hawai’i” – A Subtext of Spiritual Settler/Colonialism in Occupied Lands

Hawai’i nei (beloved Hawai’i) has struggled with many, many forms of invasion over the last few hundred years – people, invasive species, political, military, economic, spiritual, and so on. The results have not been happy or sustainable for either the islands themselves or for the original people, the Kanaka Maoli. This blog is not going to cover these issues here – there are too many, they are complicated, there are better sources – particularly from Kanaka scholars and activists (I’ll list some links at the end) – and my intention is not to try to represent. Instead, the blog entry is personal.

I’ve got an eighteen-year history of public and private support for the cause of Hawaiian Kingdom independence, as well as other issues in Hawai’i (support for preserving the sacredness of Mauna Kea and opposition to the TMT, anti-GMO, anti-military occupation, and so on). And I had an intimate, long-term relationship with a notable activist which ended last year, shortly after I moved from California to Hawai’i with the intention of at last making a life together. (This stuff happens. Sad, but it does.) I do have some other friends in the movement there – but things between us feel awkward right now. I left Hawai’i and moved back to California. (A change in location which didn’t change my status as a settler-colonist, but at least I am closer to my kids, mom, and most of my friends.) [Note: I co-created the above two websites.]

While I was living in Pahoa, in the Puna district of Hawai’i Island (Jan. 2016-Sept. 2017), dealing with my own post-divorce crazies, extreme homesickness for my kids and friends, and the “oh no! everything’s all wrong!” realizations about my new living situation, I was also the quintessential outside observer, a role that I am used to performing. What I observed were the social and conceptual “bubbles” created by transplants like me and their tenuous connection to the reality of Hawai’i and its people. There was plenty of lip-service paid to being on the island: products in the health food stores, for example, were usually branded with some kind of “tropical” or “island” names and imagery. But I don’t recall seeing very many, if any, locals and/or Hawaiians at the local ecstatic dance. (However, the Wednesday night market at Uncle Robert’s was another matter.)

So what I’m saying is, there were counter-culture hippie bubbles, retired “mainlander” bubbles, military bubbles, tantra bubbles, spirituality bubbles and other kinds of (mostly white) American bubbles. Many of the people in these communities seemed determined to only nod in passing at the deeper realities (if they recognized them at all!), and to skim over anything harsh or else complain in private. Yes, there was racism at the bottom of a lot of it, and cultural erasure, and entitlement, and more. I remember an incident at the water aerobics class I was taking (and really needed!). The teacher was telling us to step “like an Irish jig” and two Hawaiian women asked what that was, in all innocence: “We’re Hawaiian. We don’t know what that is.” The instructor ridiculed them as if everyone should obviously know what an Irish jig was. Right there, in Hawai’i, the home of the sacred dance of hula! I didn’t go back again.

(Of course there are also many ethnic communities that interwine and overlap in Hawai’i, besides what I mention above – Filipino, Japanese, Chinese, Micronesian, Tongan, Samoan, etc. – but this blog is focusing on the “mainland”-type bubbles.)

I didn’t want to dive into some comfort-making bubble of invading ex-pats, but though I kept my distance from them and developed a bad case of social anxiety (exacerbated by the logistical/social difficulties of almost thirty years of multiple-chemical sensitivity), I was no better than the rest of my fellow transplants. In fact, I felt worse. With what I knew and espoused, what right did I have to come there? When it was evident that I wouldn’t be continuing my commitment to the native man who was my partner, any possible excuse for my being there evaporated. I had also been ineffective as an activist in Hawai’i (as meetings were generally NOT fragrance-free and my request for clean indoor air seemed to be interpreted as an unreasonable request for privilege). And so my dream of helping to advance these various causes as a someday naturalized citizen of the restored kingdom also came to an end, along with my love affair. (Yes, for many, many years, I was certain I would have applied for naturalization, if it had been possible. I even have a Hawaiian Kingdom driver’s license!)

So, while struggling with “adjustment disorder with mixed anxiety and depressed mood” (my official diagnosis) as well as some health issues and general heartbreak, I started writing The Dire Deeds of the Guild of Ornamental Hermits during the 2016 National Novel Writing Month (NaNoWriMo). The book was a way for me to include my observations about “bubbles” as well as my growing interest in paganism and the practice of non-denominational magic. I continued to write all year and added another 50,000 words during a 2017 NaNoWriMo “sprint.” (And I’m about finished with the first draft.)

Okay, that’s a lot of personal context there. But I offer it so that you’ll understand why this book has a serious premise at the heart of its fantasy. That premise is… some “imports” to Hawai’i should never have happened, and that includes spirituality imports. It is ironic that I deepened my exploration of the magical traditions of my DNA ancestors while living in Hawai’i, but it seemed the only pono (just or upright) thing to do. The message that came to me was that I needed to be deeply connected to my own ancestors and traditions in order to properly conduct myself as a guest of the ‘aina (land) and the local spiritual powers, even as I began to say my goodbyes.

In the book, Ginger Croom, a winery heiress from California, buys forty acres in Puna, and establishes the Hermitville Farm and Arts Collective. She gives ten acres to a couple of local Hawaiian families who have ties to that land (as a sort of apology, I suppose) and then hand-picks and recruits non-Hawaiian people from the West Coast and invites them to come live at the farm. She has her reasons for who she selects and why, but none of “the hermits” are aware of them at the beginning of the book. As the book progresses, it becomes clear that what she hoped to create should NOT have been established in Hawai’i without permission, or in close proximity to an active volcano. I can’t say more than that without creating spoilers – but you might be forgiven for thinking that the book contains metaphors for early missionary activity in Hawai’i. The unspoken assumptions of settler-colonialism and occupation are also referenced and/or challenged in various ways throughout the book. Anna Phylaxia and her real estate schemes for Hermitville represent just one kind of “evil force” active in Hawai’i, perhaps one of the most obvious.

What do the Hermits and Elves (yes, there are Elves) have to do to contend with all of this? Well, you’ll have to read the book to find out.

The book is a fantasy. It is a tale of mid-life magic, among other things. It’s about a merry band of quite diverse misfits who are getting old in the wrong place, who are forced to learn magic, and who become responsible for clearing up the mess of their own misguided occupation. The book is mixed with humor, whimsy, satire, and serious ideas. Not everyone will like it. But as I write and tell this story, I am also doing what I can to meet my obligations to bring attention and awareness to certain communities and issues that are touched upon in the book. Blog posts such as this one are part of that responsibility. Hawai’i saved my life (another story) and so I owe it.

Here are links to websites pertaining to the Hawaiian Kingdom and other issues in Hawai’i. Please visit them.

First, enjoy this video of this strong and beautiful protest song, Kaulana Na Pua. Lyrics and song history.

Hawaiian Kingdom Blog

Many excellent documentaries by Na Maka o ka ‘Aina.

Noho Hewa – The Wrongful Occupation of Hawai’i. The fierce documentary by Anne Keala Kelly. Here is a review of the film, re-published in her blog.

Dr. Haunani Kay Trask, video 1982.

Dr. Haunani Kay Trask, video 1985.

McKinley Lies, with Dr. Lynette Hi’ilani Cruz, video 2011.

Journey to Justice, Part 1. With Dr. Lynette Hi’ilani Cruz and Eiko Kosasa. Part 2. 2012.

Liko Martin and Laulani Teale, “All Hawai’i Stand Together.” Another beautiful song.

Hawane Rios, Mele ma ka Mauna, “Warrior Rising.”

Pohakuloa – Now That You Know, Do You Care?

Stop Bombing Hawai’i. [I co-created this website with Linda-Faye Kroll.]

More links to come. This is only a small sample of informational links available.

Resistance