Why I’m Spelling MagicQ with a Q

And why I’ve created a new social media group as a place for queer, trans, non-binary and pretty much everyone else who is “othered” and tormented by the soul-sucking, climate-changing, greed-slurping dementors of the world we live in today…

dementor

Since 2016, when I started writing The Dire Deeds of the Guild of Ornamental Hermits, I knew that my characters would create a safe, vibrant place for people to learn and enjoy a new kind of magic–something that today I am calling MagicQ. In my second book (close to completion), my characters–including trans guy Oyster Olson, intersex woman Babe Bump, and non-binary Tomma Bedlam–are actively engaged in creating a new Hermitville Center for Arts and Magic as a place of refuge, inclusion, and empowerment for LGBTQIA+ people, and anyone facing violence and discrimination as a result of personal bigotry and systemic injustice.

Two days ago I learned about J.K. Rowling’s most recent transphobic statement on Twitter, in support of a woman who holds hateful beliefs about trans and otherwise gender diverse people, and who believes it is fine to discriminate against them. While I never thought of Rowling as someone who had great politics (I mean, she poured money into preventing Scottish independence, for gods sake…), I was startled and dismayed by her most recent public statement. I hadn’t been following Rowling’s transphobe trajectory but others have, as early as 2018 or before.

My kids (now adults) grew up on the Potter books–along with other, better works of childhood fiction. One of my kids is trans–and I will never forget how dismayed he was when he found out he was not going to Hogwartz when he turned eleven. However, he’s since claimed his place in the worlds of magic and witchery, and has even created a church for LGBTQIA+ people. To work for social change and justice is a magical, transformational act. This is the real thing, not make-believe.

Inspired by both my own kid’s action and the mission of my own characters, I’ve created The Guild of Ornamental Hermits group on Facebook, as a home for magicQ and its practitioners and allies. Since I am also a practicing witch, as well as a writer/blogger and sexologist dedicated to gender equality, as well as a mother–I can do no less and I also pledge to do more!

So, I say to J.K. (who also writes under a male name–go figure!!!) that in my world of magic and literature, she has now become “she who must not be named.” If she ever repudiates her current stance, and educates herself, and humbly serves as a fitting ally to LGBTQIA+ and other marginalized people, perhaps I’ll reconsider giving her a place on my bookshelf again. But til then I’m boycotting. I won’t be giving her books to any more young people.

#IStandWithTrans and I always have.

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“The Witching Work” Has Begun!

November 1st (my birthday) is also the start of each year’s National Novel Writing Month, fondly known as NaNoWriMo.

Best_Buffalmacco,_trionfo_della_morte,_eremiti_02 copyIn NaNoWriMo 2016, I launched my fantasy novel, The Dire Deeds of the Guild of Ornamental Hermits, and continued to write all year. In NaNoWriMo 2017, I continued work on Dire Deeds and then revised and completed it this last summer. Now in NaNoWriMo 2018, I have officially begun work on the second book in this proposed fantasy trilogy–The Witching Work of the Guild of Ornamental Hermits.

I’m off to a good start! By the end of November 3rd, I had over 8,000 words logged in to my NaNoWriMo author page.

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NaNoWriMo 2018

Logo_of_National_Novel_Writing_Month

I’m gearing up for National Novel Writing Month 2018! It begins on my birthday, November 1st. I began my fantasy fiction novel, The Dire Deeds of the Guild of Ornamental Hermits, during NaNoWriMo 2016, wrote all year long, then continued it during NaNoWriMo 2017. Still working hard!

But this year, I am winding up another round of editing on The Dire Deeds and am getting ready to start my second volume in the series: The Witching Work of the Guild of Ornamental Hermits. This second volume will take place in Lake County and the “wine country” of California as the Hermits of Hermitville attempt to regroup and establish a LGBTQIA etc. (pretty much everybody-friendly) school of magic.

I don’t want to tell you anything else! For me, the plot and character development flows as I write, with only a vague idea of what might happen next. I’ll be as surprised as you are when I get to my 50,000 word count at the end of November.

One thing I do know, however, a certain fabulous trickster god will make his/her/zir appearance in the book! And those Viking horns on top of the NaNoWriMo log will be so very, very appropriate!

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Announcing the Sequels

A_Fairy_Under_Starry_Skies,_by_Luis_Ricardo_Falero

This weekend (which was a particularly awful one, I must say!), I was inspired with the titles of the next two books in the Guild of Ornamental Hermits series. I always knew I’d be writing a trilogy of “mid-life magic”–and have had a general idea of theme and location–but titles were elusive.

So, the second book in the series takes place in California (and that’s all the spoiler you’re going to get). It will be called The Witching Work of the Guild of Ornamental Hermits and I’ll be starting it on November 1st, during National Novel Writing Month (NaNoWriMo).

The third book will bring a deeper look into the history of the guild, and some of it will take place in England during the witchcraft persecution of the 17th and 18th centuries. This third book will be called The Perilous Past of the Guild of Ornamental Hermits.

Just thought you’d all like to know what’s up with my works of fantasy fiction.

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Movie Casting Fantasies

What follows next is FANTASY CASTING for the Dire Deeds of the Guild of Ornamental Hermits AND for the Witching Work of the Guild of Ornamental Hermits–like a fan game, okay? It’s strictly for fun (unless the Wachowskis give me a ring). Got that?


Update 2020: My understanding of my characters has deepened and mutated since I wrote the first version of this blog post. This is partly because some of my characters have gone through changes, and also because The Witching Work adds a whole new cast of characters. I’ve also become aware of a whole lot of new and amazingly talented actors and performers since I first started these books in the fall of 2016. Many of these performers are LGBTQIA+, transgender, intersex, otherwise gender diverse, and/or perform drag. This revised fantasy casting list includes an increased number of such folx, particularly among the Elves and in the second book, Lucky LaFey’s witch daughters.

As a writer, it really helps to have “a face” to give to my characters. Actors and performers are easily “recruited” in this imaginative exercise. And so, enjoy the list below. I can’t promise it won’t change!

mazzolani-10

These two books are about a group of human misfits (the Hermits) and their collisions with magic and a variety of supernatural beings, while having crazy dangerous adventures. It’s a “coming of age” story for characters who are already “old”–a tale of mid-life magic.

The Hermits of “Hermitville” (Book 1) and “Neoville” (Book 2)

*Babe Bump – intersex woman, pansexual. Imagining singer and actor, Eden Atwood, (with darker hair). She’d be terrific. And this song is a perfect way for her to express her feelings for her new sweetheart! Eden has been “the face” of Babe almost since the first chapter.

Babe often functions as the quiet, emotional center of The Hermits, but no one should underestimate her. She’s a sexy burlesque performer and an intersex activist, as bold in her way as Tomma is in zir’s. And she goes through some wild changes! [*Narrator]

*Tomma Bedlam – a gender fluid/non-binary person. Prounouns are ze and zir, and ze is pansexual. Tomma is a BIG personality–complex, creative, provocative, funny as hell, sexy, confrontational, flippant, intelligent, and courageous. Ze is also extremely tender-hearted. Tomma is Babe’s best friend.

I orginally had another person chosen for this fantasy casting, but lately I’ve been realizing that Dragula’s Disasterina (and the person behind her) has a lot of the emotional range, physicality, and humor that I associate with Tomma. Though I don’t see Tomma with quite the non-stop boisterous campiness of Disasterina, Tomma comes close in several scenes. I find myself wondering if the thoughtfulness (as well as the punk-drag energy) behind the creation of Disasterina would allow this performer to deliver the Tomma I imagine. It’s an interesting speculation! [*Narrator]

*Oyster Olson – trans man, asexual, pan-romantic. Imagining Will Krisanda who played Max in the Brothers series, but with a little grey hair added. For me, he’s been “the face” of Oyster Olson all along and I remain devoted to this fantasy casting choice. Will Krisanda has the kind of range that Oyster needs, as Oyster’s life takes many unexpected turns. (But he’d have to learn to play blues harp or fake it!). [* Narrator]

Aarrf Perry – a gender queer (they/them) “human puppy” who is also head of Hermitville security. This character requires a certain kind of versatility and has a pretty intense character growth. I now imagine Dina Nina Martinez in the roll, as she’s funny as hell and I think she could carry Aarrf’s character arc.

Joe Hillstrom – cisgender man, gay, photographer and personal trainer. I originally imagined Chiwetel Ejiofor, because he can pretty much do anything as an actor and I love him. However, there are several actors out there who could do wonderful things with Joe’s character.

Glysandra Shakti Om – cisgender woman, hetero, neo-tantra instructor. I originally imagined Helen McCrory (Peaky Blinders), as she is so sexually compelling. But there are others who do could the role too. There is potential for campy humor in this role, as Glysandra can be clueless but also overly sincere. If I was going to cast a drag performer, I’d go for Louisiana Purchase. I think she could do a lot with a hippy tantrika character!

Maximus Gordon – cisgender man, hetero, polyamorous, musician and singer. I imagine casting an actor like Morgan Freeman or Idris Elba, but as Maximus is somewhat kinky, it has to be someone comfortable with that kind of role. Maximus is a former folk singer and his ex-wife and current girlfriend both live in Hermitville. They all get along.

Sybil Perry – cisgender woman, heteroflexible, polyamorous, musician and singer. Imagining Annie Golden as Maximus’ former wife and folksinging partner.

Minnie Richmond – cisgender OR trans woman, heteroflexible, polyamorous, musician and singer. She is Maximus’ current GF. She and Maximus are somewhat kinky, so it has to be someone comfortable with that kind of role. I’d like this role to be given to a woman of color.

Jennifer Juniper – cisgender woman, hetero, musician and singer. Imagining Rhiannon Giddens or Valerie Junes, except they’re both so good and there might not be enough for a musican of that caliber to do. Perhaps this is a role for someone who is an actor first, musican second?

Frank Talk – intersex man, heteroflexible, musician. I’ve thought of Mx. Annunaki Ray Marquez, an intersex activist and former professional pirate actor. However, Frank goes through some tough times in the second book (spoiler alert) and so the trauma might be tough on an actor.

Rozaline Rae – cisgender OR trans woman, bisexual, musician/singer. Imagining someone with a persona similar to Poison Ivy (of The Cramps).

Ginger Croom – cisgender woman, hetero, age 70ish, winery heiress, Hermitville founder. Dies at beginning of the book. A “big” personality even so. I keep thinking Susan Sarandon (b. 1946), both for looks and for her activism (very much like Ginger’s). And who play the younger Ginger in flashbacks?

Sidley Croom – cisgender man, bisexual, Ginger’s younger brother. Sidley has red hair and a beard. Would look something like Jeff Bridges (b. 1949).

Elves of “The Realm” (Books 1 & 2)

Note: The Elves have 29 genders in their world, depending on their “element” at birth and timing of developmental “shifts” over the course of their lives.

Septimus Sitwell – Elf gender TBA. pansexual. Imagining Benedict Cumberbatch. Because this is a fantasy after all… And because Septimus has some great lines.

*Breadcrumb – Elf gender TBA, pansexual. Character based on Angela Mae, a clown and bellydancer who used to perform with Gooferman. I can imagine Jamie Clayton (Sense8 transgender actress) in this role. [*Book narrator.]

Professor Osbert Almond – Elf gender TBA, pansexual. Imagining Tom Hiddleston with long hair (but more gloss and gleam than Marvel Loki) — mostly because he is an amazing actor and could bring a lot of depth to the professor, who has a complex backstory. Or perhaps Alexander Vlahos (Versailles), with long, dark hair.

Parsifal Berry Blue – Elf gender TBA, pansexual, T.W.O.’s dad. Character based on the real-life Puddles, the Sad Clown with the Golden Voice. Would love to cast Puddles (Mike Geier) in this role.

Maud o’ Bedlam – Elf gender TBA, pansexual, Breadcrumb’s  mom. Imagining Eva Green (Penny Dreadful).

George Potts – Elf gender TBA, pansexual, married to Archie Smegley. Imagining Jake Zyrus (trans man actor/singer).

Archie Smegley – Elf gender TBA, pansexual, married to George Potts. Imagining Scott Turner Schofield (trans man actor) OR could be Evah Destruction, drag perfomer .

Gingevus Sitwell – Elf gender TBA, pansexual, brother to Septimus. Imagining Bill Nighy (with longish hair) OR could be Landon Cider, drag performer.

Who’s There – Elf gender TBA, pansexual. Imagining Biqtch Puddin’, drag performer (Dragula).

Hamfast – Elf gender TBA, pansexual, shapeshifter. Imagining Richard O’Brien (Rocky Horror Picture Show).

Hamfast shapeshifting as Goddess Mal-i-bu Bar-bee – Imagining Candis Cayne in a cameo appearance as “the Cosmic Soccer Mom.”

Supernatural Beings (Books 1 and 2)

Vesta the Salamander – this is a voice part.

Nienna, Elven Goddess – Dual role for Victoria Elizabeth Black (see Gyda below).

Lucky LaFey & Family (Book 2)

Lucky LaFey (Norse God Loki Laufeyjarson) – Imagining Hale Appleman (The Magicians), but with red hair.

Váli, Lucky & Sigyn’s Son – (changed into a wolf by Odin). Not yet cast.

Angrboda, Lucky’s Jotun wife – Powerful. Imagining Maxi Glamour, drag performer (Dragula).

Sigyn, Lucky’s Aesir wife – Imagining Kitana Kiki Rodriguez (Tangerine). Brief action role.

Gyda, Lucky’s Witch DaughterVictoria Elizabeth Black, drag performer (Dragula). And see Nienna, above. She could do both.

Runa, Witch DaughterIndya Moore, transgender actress (Pose). I can also see her as Breadcrumb though.

Magnhild, Witch DaughterDahli, drag performer (Dragula).

Ylva, Witch DaughterAngelica Ross, transgender actress (Pose).

Thyra, Witch Daughter – the “punk rock” one. James Majesty, drag performer (Dragula).

The rest of Lucky’s Witch Daughters, not yet cast. Eerika, Alva, Oili, Ase, Unn, Sigrid, Gunvor, Nanna, Ingrid, Eira, Asta, Sylvi — all could be played by transgender actresses and/or drag performers.

Sophie “Socks” Lokisdottir – a transient human trans girl adopted by Lucky. Not yet cast.

Bad Guys (Book 1)

Anna Phylaxia – cisgender woman, hetero, pretend “domme,” CEO of Anna’s Wicked Wares. Imagining Vander Von Odd as fantastic in this cis female role, as well as the person behind the scenes who designs quite a lot of The Realm scenery and Elf costumes.

Stanford Lawsome – cisgender, part-human, bisexual, Anna’s assistant. Half human. Imagining Reeve Carney (Penny Dreadful) with bleached hair and a spray tan.

The Lawyer® – gender neutral (ze, zir), Elsewherian supernatural foe, preference unknown. Imagining Jamie Casbon (Brothers) with a very corporate wardrobe.

Sri Niri Nimrod – cisgender man, hetero. Self-righteous yoga guy with man bun, leader of a Hippie Doomsday Cult. Small role. Haven’t cast him yet.

Bad Guys (Book 2)

Samuel Dipps aka “The Big Dipper” or “The Dip” – Wethrini supernatural foe. He looks like an orange, spray tanned “Malibu Ken” doll. This is a nasty villain! Haven’t imagined a fantasy actor yet. [Also, “The Dip” has minions, not yet specified.]

Anna Phylaxia – Returns as a friend of Samuel Dipp. See Bad Guys (Book 1).

Film Crew (Book 1)

Miranda Jackson – cisgender female, lesbian, documentary filmmaker. Have imagined someone like Lea DeLaria (Orange is the New Black).

Shank Stoma – Trans or gender queer person, sexual preference unknown. Camera. Imagining Hudson Krakowski (Brothers).

Eddie Sedgwick – Nonbinary trans male (they, their). Camera. Imagining Em Grosland (New Ambsterdam).

Toledo Jackson – Cisgender male, hetero. Miranda’s goat-selling, former tweaker brother. Hippie dude. Imagining someone similar to Russell Brand, but even more unraveled.

Hawaiian (Kanaka Maoli) Neighbors (Book 1)

Namaka – cisgender woman, mother of two including kapu (sacred) child. I imagine someone like singer/activist Hāwane Rios or singer/activist Laulani Teale.

Uncle Iolana – cisgender man, kupuna (cherished elder), age 70ish. I imagine someone like singer Liko Martin.

The kapu baby, Keikiokalani (gender not specified), and a boy of ten. Not cast.

This “casting” is actually a productive exercise for a (cis, white) writer to step out of a tendency to “cast white” and “cast cis” and to broaden the character possibilities beyond a token character or two, tossed in as a sop to “diversity.” It is also a way to search out and appreciate the work of talented people who in some cases have less recognition than they deserve. And it’s also a bit of “magical thinking.”

So mote it be.

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Why a Tale of “Mid-Life Magic?”

'Fairy_Islands'_from_the_book_Elves_and_Fairies_1916_by_Ida_Rentoul_OuthwaiteI grew up reading fairy tales and fantasy fiction. I always wanted to see myself as one of the characters in whatever I was reading and/or have that character’s abilities. Childhood examples include: Captain Nemo in 20,000 Leagues Under the Sea (for having the coolest submarine and for being disgusted with humanity); Doctor Doolittle (for being able to talk with animals); and pretty much any fairy princess you can name (for magic adventures and caskets of diamonds, rubies, and emeralds) – except the Disney variety, thank god. I’m too old for that to have had much, if any, impact on my childhood! I loved and devoured books by Edgar Eager, E. Nesbit, Madeline L’Engle, C.S. Lewis–and of course J.R.R. Tolkien (in my teens). By the time I was eighteen, I had most of the Andrew Lang collections of fairy tales, each volume a different color. And the only relic of my late father that I possess is a book of Japanese fairy tales he sent to me after the divorce, when I was about four years old.

My children of course went through the Harry Potter series, C.S. Lewis Narnia books, and Tolkien. My ex and I read The Hobbit and Lord of the Rings to each kid, more than once. (Tolkien really wrote for the breath and voice. It’s astonishing when you read those books aloud.) And there were other writers and other books. For my oldest, a number of brave girl warrior type adventures, and Emma Bull’s War for the Oaks and Finder. For my youngest, the Redwall series (Brian Jacques) and Bartimaeus series (Jonathan Stroud).

So my life has been steeped in such tales, and now, as I am older (much older), I want the magic adventures to continue, with characters that are my age or thereabouts. One of the few stories that has come close is A.S. Byatt’s The Djinn in the Nightingale’s Eye.

Plus, I have had my own true-life collisions with “mid-life magic” and this has been an unexpected and fascinating development. Sexology (I’m a sexologist) pales somewhat by comparison.

So, The Dire Deeds of the Guild of Ornamental Hermits is a story about (mostly counter-culture) people over the age of 40, and some who are much older. The Elves, for example, last a lot longer than humans and don’t age at the same rate. And I, as the writer, am able to wave my magic word wand around and grant attributes and situations, as well as varied genders, sexual preferences, and magic “superpowers” to the characters who have come to populate the Hermitville and The (Elven) Realm of my imagination.

And in that way, the magical adventures continue!

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Tolkien’s Valar and Maiar – Deities of the Elves

For the second draft of The Dire Deeds of the Guild of Ornamental Hermits, I decided to switch out almost all of the references to various deities actually worshipped by human beings (past and present) and replace them with references to J.R.R. Tolkien’s cosmic pantheon as described in his Silmarillion. Aside from Elves, I have also now replaced other references to existing magical beings and “faery cities” with words based on Tolkien’s languages.

The idea of “Elves” has been used so often, for so many kinds of beings–from Santa’s Elves to Tolkien’s, from Norse Elves to Emma Bull’s–and everything in between, that I feel okay about including them and creating my own concepts of them.

I did this (1) to avoid giving offense to people currently engaged with a variety of Celtic, Heathen, and other pagan traditions; (2) as a homage to Tolkien; and (3) to have more freedom to create a fictitious magical foundation for the Guild of Ornamental Hermits.

Tolkien describes his collection of deities, known as Valar and Maiar, and their functions in great detail. I use a few of these figures. I’ve also used some of their names to create four elemental “cities” (Arda or Ardae) that correspond to elements: Ulmaria (water); Manwaria (air); Auleria (fire); and Yavannia (earth). (Tolkien had used “Arda” as a word for the place humans live, but I snagged it to refer to certain locations in the Elves’ Realm.)

The magical training given by the Elves of the Hermits of Hermitville also has a lot to do with these faery cities and elements. The three major characters of Babe Bump, Oyster Olson, and Tomma Bedlam are all linked with Murias, due to their astrological signs. These three characters each have unique magical gifts. Babe is a medium; Tomma has an affinity with magical creatures; and Oyster is definitely wizard material. As such he is the keeper of the mysterious Book of Moons, created by the original Guild of Ornamental Hermits.

Creating the “mythos” that matches the story is definitely one of the challenging parts of writing fantasy fiction!

Johann_Landner_Litho

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Western Magic Influences

[Updated and revised yet again, April 5, 2020.]

Since 2016, I have been researching magical knowledge, neopagan traditions, and other esoteric resources for The Dire Deeds of the Guild of Ornamental Hermits and the sequel, The Witching Work of the Guild of Ornamental Hermits. (A third book is also planned.)

A_grotto_containing_a_magic_circle,_books_and_mythical_creat_Wellcome_V0025853
Creative Commons/Wellcome Images. A grotto containing a magic circle, books and mythical creatures. Etching by J. Vezzani after G. Rocchetti.

Here are some of the sources and teachers who have been and are important and inspirational since I began writing these fantasy novels. I absorb ideas from these and other sources, however I combine what I learn in a fictional way to create my own version of an Elven magic tradition practiced by the secretive Guild of Ornamental Hermits. This tradition is eventually passed on to the ragtag residents of the Hermitville Farm and Arts Collective, much to their surprise.

Again, I emphasize: nothing that I am writing in my fantasy novels should be considered an accurate portrayal or reflection of the teachings and sources below.

Even so, I want to take grateful note of the teachers and books which have helped me create a fictional magical system and who have led me to a personal passion for magic and witchery and the development of my own esoteric practices.

The first important source was Ariel Gatoga’s recordings of his course, A Witch’s Primer, which provides basic instruction in “non-denominational witchcraft.” Ariel is an engaging teacher and I always find his approach refreshing. His was a cheery voice during a very depressing period in my life (late 2016-2017). I’ve enjoyed his Druidic Craft of the Wise podcasts as well, especially A Charmed Life. In addition to his website, Ariel can be found on Facebook, Instagram, and YouTube. He has a wealth of offerings–videos, lectures, classes, and a forum–so please check him out and follow him on social media.

The second important source was Dr. Daniel Foor’s Ancestral Medicine website, lectures, book, and classes. His work conveys a practical, accessible path for working with ancestors. Foor’s work is grounded in animism (among other things) and I am so glad to have found these teachings. Now in a world turned upside down due to the coronavirus pandemic, I plan on taking Foor’s newest offering, Bring Out Your Dead–Ancestral Healing for Poxy Times.

Gatoga and Foor were two of my most meaningful discoveries during the first year of writing and learning.

Podcasts such as Missing Witches (hosted by Risa Dickens and Amy Torok),  Bespoken Bones (hosted by Pavini Moray), Witchwave (Pam Grossman), and Down at the Crossroads (hosted by Chris Orapello and Tara Love Maguire) continue to provide thoughtful conversations with practitioners and authors. Orapello and Maguire recently published their own book, Besom, Stang, and Sword: A Guide to Traditional Witchcraft, the Six-Fold Path & The Hidden Landscape.

Also influential:

Aidan Wachter’s Six Ways: Approaches and Entries for Practical Magic, particularly with regard to working with non-visible beings.

Sex, Sorcery and Spirit: The Secrets of Erotic Magic and The Elements of Spellcrafting: 21 Keys to Successful Sorcery, both by Jason Miller. Very practical!

Sigil Witchery: A Witch’s Guide to Crafting Magick Symbols by Laura Tempest Zakroff. (Frankly, I need to spend more time with this book.)

• Outside the Charmed Circle: Exploring Gender & Sexuality in Magical Practice, by Misha Magdalene, published in 2020, is an extraordinary help in thinking through these topics and relating them to magical practice.

• For tarot divination, I rely heavily on The Ultimate Guide to the Rider-Waite Tarot by Johannes Fiebirg and Evelin Burger.

I have a lot more magic books in my library of course (ditto for tantra and hypnosis, which are also influential) but the above are the ones I seem to go to the most.

For historical perspective, I have enjoyed Magic in the Middle Ages, taught online by instructors at the University of Barcelona, via Coursera. This class provided some wonderful background on one period in the history of European magic, as well as the criminalization of witchcraft and spellwork.

In 2017, I discovered “inclusive heathenry” and “Northern Tradition Paganism” via The Troth and Hrafnar, and various Lokean websites and groups. I currently have a devotional practice that includes a few deities in the Norse pantheon: the trickster god Loki Laufeyjarson (my “most trusted one”); the Vanir deity, Freyr, and his Jotun wife, Gerda; and Freyr’s sister, Freya. (In daily practice, I also honor the Celtic Brigit and the Egyptian cat goddess, Bastet.)

Cosmic Muses

Though not at all a part of the “Western Esoteric Tradition,” I have to say that the Hawaiian “volcano goddess,” Pele, was a major inspiration while writing The Dire Deeds of the Guild of Ornamental Hermits. In fact, I read an early draft of the book to her, aloud, as an act of devotion and gratitude for the time I spent in Hawai’i. Much as I am awed by this powerful being, I can’t help feeling somewhat relieved that I moved from Hawai’i seven months before the 2018 lava eruption in the Puna district, which took place not far from where I used to live.

Once I started working on the second book, The Witching Work of the Guild of Ornamental Hermits, Loki Laufeyjarson emerged as the book’s patron and muse, as well as a major character. In fact, his search for his missing son drives the book. I have also read much of the first draft aloud, as an offering to Loki.

Finally

Like most writers, I could probably write a novel-length list of influences but I’ll stop here. The Guild of Ornamental Hermits novels are “a work of art, on the whole, but showing the influence of too many schools” (as Oscar Wilde wrote of his character, Mrs. Cheveley). But in this case, I hope this isn’t a bad thing!

August_Natterer_Hexenkopf_Vorder_und_Rückseite
August Natterer: Witch’s head, c. 1915, Prinzhorn Collection – public domain.