Here are two of the most pervasive and enduring influences on me, as I make my way through the writing of this book.
First, Edith Sitwell’s English Eccentrics, which has a chapter on Ornamental Hermits. Some of England’s “landed gentry” really did hire ornamental hermits to flit about in the shrubbery for their amusement. I believe this should be a 21st century career choice, with better wages and job security, even a union, of course! The San Francisco Chronicle once rejected my (somewhat satirical, somewhat serious) advocacy of a unionized Hermits Guild as a career option for people in need of work (I would have applied!), but the editor did compliment me on providing the most obscure literary reference to come across their desks! I still think a Hermit’s Guild could have made neat use of cast-off costumes from ACT and Beach Blanket Babylon!
In fact, in 2016, the village of Adleburgh advertised for a professional “village idiot,” which I am convinced is very much in the spirit of Ornamental Hermiting.
Secondly, Tom o’ Bedlam, a poem written (most likely) in the 17th century, author unknown. And this musical version by the Rude Mechanicals. The late Michael Rossman, of Free Speech Movement fame, is the vocalist. Nay, more than a mere vocalist. He became Tom when he sang. Should this book ever be made into a movie, I’ll lobby hard for this version of the song to be part of the soundtrack. My character, Tomma Bedlam, named zirself after this poem. The “madness” of another character also loosely follows Tom’s trajectory.