NaNoWriMo 2018

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I’m gearing up for National Novel Writing Month 2018! It begins on my birthday, November 1st. I began my fantasy fiction novel, The Dire Deeds of the Guild of Ornamental Hermits, during NaNoWriMo 2016, wrote all year long, then continued it during NaNoWriMo 2017. Still working hard!

But this year, I am winding up another round of editing on The Dire Deeds and am getting ready to start my second volume in the series: The Witching Work of the Guild of Ornamental Hermits. This second volume will take place in Lake County and the “wine country” of California as the Hermits of Hermitville attempt to regroup and establish a LGBTQIA etc. (pretty much everybody-friendly) school of magic.

I don’t want to tell you anything else! For me, the plot and character development flows as I write, with only a vague idea of what might happen next. I’ll be as surprised as you are when I get to my 50,000 word count at the end of November.

One thing I do know, however, a certain fabulous trickster god will make his/her/zir appearance in the book! And those Viking horns on top of the NaNoWriMo log will be so very, very appropriate!

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Mourning Ahalanui Warm Pond

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Yesterday, July 12, 2018, Tutu Pele covered the Ahalanui Warm Pond and park with lava, along with the neighboring Kua O Ka La Hawaiian language charter school. “Green Lake,” Kapoho Bay, the Wai’opae tide pools, and hundreds of homes have already been covered since early May. Ahalanui, warmed by volcanic steam, was a much loved place in Puna. Here’s a scene from the book that takes place at Ahalanui — based on a real incident.

Excerpt from Chapter 27

When I woke early next morning I felt the urge to swim. I took off by myself, fifteen miles an hour along a very narrow road that would eventually take me to the Ahalanui warm pond, a large brackish pool heated by volcanic steam. The road was deserted so I drove as slowly as I wanted. At times I drove under canopies of centenarian mangoes and the invasive albizia, while hala trees corkscrewed up through tangles of ferns. Large leafy vines and hanging tendrils were sometimes long enough to smack my windshield. I had Aryeh Frankfurter’s Harp Songs of the Midnight Sun on the CD player, and the music gave me the feeling of traveling through a faery land. At times the thick green landscape would open to an occasional glimpse of ocean breakers or sun-baked fields of the most recent lava flow. I was in no mood for conversation so I passed the hitchhiking couple (he in dreads and shorts, she in a light blue dress and a backpack). I felt a little guilty but I also knew what I needed. I needed to wash myself free of everything that had “stuck” from the last several days. And for that, I needed to be by myself.

Once in the pond, I swam past clusters of talking people. I wanted to escape their voices so I swam to the back edge of the pond where a narrow channel admits the waves. I clung to my favorite underwater rock and went limp, swaying like kelp in the current. I had no thoughts, just let my body move with the current. Sometimes I looked at the bottom of the pool as the water cleared, noticing the bleached coral fragments and rounded lava pebbles. But then a bearded man with a blotchy sunburn swam past me, positioned himself directly in the channel and began (for some unaccountable reason) to lift large rocks from the bottom of the pond and fling them aside. Each flung rock made a loud splash and a clunk as it knocked against the other rocks. I tried to maintain the feeling of serenity that I’d brought to the pond but it was impossible. Though he didn’t seem exactly angry, I experienced his actions as hostile and disturbing. I swam to another part of the pond but couldn’t recapture my serenity.

Away from “my” rock, I floated on my back for a few minutes more, looking at the clouds and palm fronds above. Then I decided I’d had enough. I like to be there early and when people start bringing styrofoam “noodles” and sunscreen (or start chucking rocks), it’s time to go.

Driving home, I felt some of my earlier peace. Again the road was untravelled, except for a single bicyclist. I could fall under the spell of greenery and birdsong. I remembered the professor’s words, “a green and pleasant land” and wondered if anywhere else could be as green and pleasant as this road? It was so beautiful and remote, no longer “mine.” I realized I was saying good-bye.

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Kapoho Tidepools, Robert Linsdell from St. Andrews, Canada, 29 October 2014, 11:33. Creative Commons.

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Announcing the Sequels

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This weekend (which was a particularly awful one, I must say!), I was inspired with the titles of the next two books in the Guild of Ornamental Hermits series. I always knew I’d be writing a trilogy of “mid-life magic”–and have had a general idea of theme and location–but titles were elusive.

So, the second book in the series takes place in California (and that’s all the spoiler you’re going to get). It will be called The Witching Work of the Guild of Ornamental Hermits and I’ll be starting it on November 1st, during National Novel Writing Month (NaNoWriMo).

The third book will bring a deeper look into the history of the guild, and some of it will take place in England during the witchcraft persecution of the 17th and 18th centuries. This third book will be called The Perilous Past of the Guild of Ornamental Hermits.

Just thought you’d all like to know what’s up with my works of fantasy fiction.

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You Need a Scorecard to Keep Track…

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Here is a list of some of the relationship configurations involving the characters in The Dire Deeds of the Guild of Ornamental Hermits, a work of fantasy fiction. Many involve characters in LGBTQIA categories. Kink and nonmonogamy are represented as well. (I’m not even including most of the Elves in this list.) There are a couple of spoilers here:
1) There are twelve human characters who are residents of Hermitville. Each one has an Elf mentor (most of these are nonsexual relationships).
2) Spoiler: Babe Bump (pansexual, intersex woman) and Oyster Olson (asexual, pan-romantic trans man) become fond of each other. Tomma Bedlam (pansexual, trans, non-binary person) makes three.
3) Tomma is also involved with a butch lesbian (former) lover and there may be a surprise Elf/Human triad in zir future.
4) Divorced couple Massive Max and Sybil are kinky and still sometimes get together when their lover Maxine can make it a trio.
5) Joe Hillstrom and Sidley Croom are an on-again, off-again gay couple with a long, complicated past.
6) Hermitville’s founder, Ginger Croom, may have had a Fey lover in her youth.
7) Aarrf, a multi-gendered human puppy, finds an Elven master.
8) Glysandra, a tantrika, is Ginger Croom’s tantra partner, even though they claim to be “not lovers.”
9) Archie and George (Elves) are still on their honeymoon after 350 years.
10) Sidley Croom also hooks up with at least one “bad guy” and has had hopes for several other liaisons.
11) A few characters have human/fey parentage (backstories in the second book!).
12) Parsifal and Maud (Elves) are a dyad but also part of a larger group marriage.
13) A giant salamander that really loves buildings.
14) Most of the Elves have not yet divulged their sexual preferences. However, there are twenty-nine possible Elven genders…
15) Several of the humans have not yet divulged either.
And yet, with all this, I haven’t written one single explicit sex scene, nor do I intend to do so! It’s kind of more fun this way.
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Elf and Human Magical Intersectionality

This is an excerpt from Chapter Twenty, Stalking the Wild. Elves and the human “hermits” try to parse magical intersectionality and magical identities…

So Indigo did her best to explain. We did our best to understand. Scrying wasn’t so hard. It’s just fortune telling with a crystal ball or a mirror or a plate of water. Trying to see things. The rest of it was more complicated. Finally Indigo shrugged and said, “We’ll walk you through it when the time comes. Don’t worry about it.”

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Jennifer sighed, “I thought magic adventures were supposed to happen to you when you’re a kid, not when you’re a post-menopausal rock ’n’ roller!”

“Yeah,” Massive agreed. “Hermitville ain’t no Hogwarts!”

“Yep, Hashtag Muggles No More.” Tomma giggled, while the Wubbies began to squeal for food crumbs.

The funny thing was, the Fey Folk were totally digging this exchange. They were apparently all avid fans of human movies. Archie said Elven academia was obsessed with critiquing movies and literature which depicted human encounters with magical beings and powers. There were even sub-disciplines which dealt with questions of magical intersectionality—various types of oppression and privilege involving magical and non-magical beings—as depicted in human media.

Aarrf was saying things like, “So, now that I’ve learned I’m only half-human, how do I present my authentic self in a culture based on werewolves and furry jokes? A culture that doesn’t even acknowledge that people like me exist? And I don’t exactly feel comfortable with the Otherkin community either, because I tend to see them as emotionally othered, not genetically othered. What do I do with my lived experience as an actual part-phouka? And does my phouka blood enable me to know the true phouka experience, as I wasn’t raised as a phouka?”

And Tomma was saying things like, “Maybe that’s just internalized self-hatred, Aarrf, that you can’t see that many Otherkin folk might also be genetically othered? I mean, look how our culture treats animals! How would you expect it to treat people who are part supernatural animal? Denial, that’s what!”

Breadcrumb was expounding on examples of sexism in Harry Potter movies, “People make fun of Hermoine for actually working hard to get better at magic. What’s up with that?”

And Roz was saying, “Yeah, and what about all that ‘sexy witches on Halloween’ stuff? As if we can only be valuable, magically, if we’re also sexy according to the false standards of beauty foisted on us by a sexist capitalist economy! As if our only real magic is between our well-shaved legs!”

“And our well-shaved armpits,” yelled Maxine.

“Or in our well-shaved…uh, nevermind,” Tomma pretended to look embarrasssed.

The professor was giving Parsifal an earful about human perceptions of class conflicts between so-called high Elves and “lower” magical beings like brownies and gnomes. “For example, in War for the Oaks, the queens of both faery courts are consistantly overdressed, which is supposed to indicate their high status among the fey folk, however the humans equate this with snobbery and despise it.” (Parsifal just fondled his puffy buttons and didn’t say much.)

“Like Miz P?” Tomma asked.

Meanwhile Septimus was muttering, “Well, we do like to dress up you know! The magic garment industry is one of the most important in the Realm.”

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And Breadcrumb Makes Three…Elf Character Spotlight.

Breadcrumb (also known as “The Wee One” or “T.W.O.” for short) is an Elf smitten with human clowning and clown fashion. Physically I see her very much as an Angela Mae type. Angela Mae being an immensely talented bellydancer and clown who has performed with the band, Gooferman. Angela Mae is definitely a major muse for this character!

In this book, some Elves are quite taken with human subcultures, as immortality can get a little stale without interdimensional novelty. They go in for human fads, artifacts, and “spill-over phrases” (cliches and memes). Breadcrumb is certainly one of these Elves, with a ruby-rouged nose, striped tights, and a light tunic of spider silk.

Her father, Parsifal, is another. Puddles, the Sad Clown with the Golden Voice, is the primary muse for the character of Parsifal. You can get a sense of Parsifal in action in the excerpt, Elven Glamour Run Amok.

Breadcrumb’s mother, however, is the formidable, no-nonsense Maud o’ Bedlam, an experienced interdimensional operative. (I see Eva Green as the ideal Maud!)

Breadcrumb may be a classic Manic-Pixie (Elf) Girl, capable of shimmies, pouts, and nonsequiturs, but when the forces of evil descend on Hermitville Farm and Arts Collective, Maud and Parsifal have good reason to be proud of their daughter as she transforms into “Head Elf in Charge.”

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Disaster Prep in “Hermitville,” Puna District

The opening scene of The Dire Deeds of the Guild of Ornamental Hermits is a light-hearted disaster prep drill performed by some of the “hermits” of my fictitious Hermitville Farm and Arts Collective, an intentional community located in the Puna district of Hawai’i Island. The scene mentions a triage method to assess injuries, used by CERT (Community Emergency Response Teams) during a disaster.

CERT members are ordinary people who want to assist their neighbors and communities during times when the resources of governmental first responders are likely to be overwhelmed. And so they take a practical course in first aid, using a fire extinquisher, and just generally understanding something about what to do when all hell breaks loose. The national CERT program is managed by FEMA, and is now also affiliated with the Department of Homeland Security (this last link is a little weird for me, I’ll admit). Many communities have CERT training throughout the year. FEMA also has online materials that can be helpful.

Why did I choose to start a fantasy novel with something as prosaic as a disaster prep drill? There are a lot of reasons. For one thing, I’ve taken the CERT course myself, twice. And for another, I knew when I moved that life in rural Hawai’i could be rough. My “hermits” are “transplants” to the island as I once was, and are determined to be able to help themselves, each other, and their neighbors during a disaster. This willingness to help–in my opinion–is an expression of aloha.

When I lived in the Hawaiian Shores subdivision in Pahoa, a town in the Puna district (2016-2017), I took the CERT training in Kea’au, along with other community-minded folks. I still have my inch-thick training manual, though I did have to return my badge when I moved. I’d done the same training a few years earlier, in Albany CA, and we were mostly focused on earthquake prep. But in the Hawaiian Islands, the likely disaster menu includes earthquakes as well as tropical storms and hurricanes such as Iselle (slammed Puna in 2014), floods (Kauai has been recently devastated), and yes, flowing lava and eruptions, like the flow that threatened Puna (also in 2014) and the “curtain of fire” lava eruptions happening right now (May 3 & 4) in the Leilani Estates subdivision, causing mandatory evacuations. (Leilani is not far from where I used to live).

From a writer’s standpoint, using a CERT drill to open the book enabled me to introduce some of the characters in relation to each other, to show their interactions and focus. But I also wanted people who don’t live in Hawai’i to understand something that’s not often addressed in the blithe (and incorrect) assumption of “paradise,” to understand what it takes to actually live there, especially in the rural areas.

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Over 1,500 people have evacuated from Leilani Estates already, and no one knows how long the eruptions and flow will last, or how much land will be affected, the resources and resilience of Puna residents are going to be taxed once again. The lives of thousands of residents, not just the evacuees, are going to be affected for maybe months, possibly even years. If the flow is extensive, housing will be a problem–Puna already has too many vacation homes and not enough affordable housing for its residents. Fresh water will be a problem, as a majority of people in Puna rely on catchment tanks. If the loss of housing is widespread, this also means loss of catchment water. Lava is already covering part of Mohala Street in Leilani. If it covers or crosses more streets, and even the main highway in and out of the area (as it almost did in 2014), transportation and the delivery of food and medical services will be impeded. Electric power will be affected, not to mention the internet… Schooling will be disrupted–there’s a Hawaiian language charter school that might be endangered if the flow continues east. Elderly people, the kupuna, will be particularly hardpressed, as will any families who are living paycheck to paycheck, or no paycheck to no paycheck. There’s an almost endless list of difficulties ahead. How will people manage?

And that’s just people! Animals (including pets and livestock) are also profoundly affected. Many dogs and cats made homeless in 2014’s disasters have contributed to the burgeoning feral population, which in turn affects wildlife…

Could CERT volunteers help in a situation like this? To some extent, yes. Using chainsaws to cut through fallen trees, giving help an elderly neighbor, operating HAM radio, handling triage at shelters… I’m not sure of the specific opportunities, but trained, willing people will always do some good in situations like these.

And so including a CERT training at the start of my book injects a truly necessary realism before I introduce the fantastical elements of the story. Because you’ve been good enough to read this far, here are the opening paragraphs of the book (and don’t miss the CERT info below them):


 

Chapter One

Babe: You Know the Drill in Hermitville

“One… two… no, no, support zir head and neck, please! … three! Lift!”

Even with six of us, it wasn’t easy transferring Tomma’s limp, lanky body from the floor to the makeshift stretcher (a repurposed surfboard with straps), let alone lifting the stretcher and carrying zir to the designated medical treatment tarp.

“I forget, is ze green or what?” Oyster still wasn’t quite clear on the concept of triage, but after all, he’d only been with us six years. Give him time.

“C.E.R.T. for dummies,” Aarrf muttered and Oyster looked hurt. Aarrf took our monthly community emergency response training drills very seriously and had little patience with anyone who wasn’t as geeky about it as they were.

Joe took pity on Oyster. “No, green is for ‘walking wounded,’” he said. “Red, ze’s red. Immediate. Got that?” Oyster nodded.

 


Find Your Nearest CERT Training

Here are two excerpts from the Ready.gov website. I hope this blog encourages you to get some training yourself, no matter where you live. One day you and your community might be glad you did.

The Community Emergency Response Team (CERT) program educates volunteers about disaster preparedness for the hazards that may impact their area and trains them in basic disaster response skills, such as fire safety, light search and rescue, team organization, and disaster medical operations. CERT offers a consistent, nationwide approach to volunteer training and organization that professional responders can rely on during disaster situations, which allows them to focus on more complex tasks. Through CERT, the capabilities to prepare for, respond to and recover from disasters is built and enhanced…

…FEMA’s Community Emergency Response Team Program trains volunteers to prepare for the types of disasters that their community may face. Through hands-on practice and realistic exercises, CERT members:

  • Learn how to safely respond to manmade and natural hazards
  • Help organize basic disaster response
  • Promote preparedness by hosting and participating in community events
  • To learn how you can register for CERT or find a program near you, please contact your local emergency manager or FEMA at FEMA-Prepare@fema.dhs.gov

 

Movie Casting Fantasies

What follows next is FANTASY CASTING for the Dire Deeds of the Guild of Ornamental Hermits AND for the Witching Work of the Guild of Ornamental Hermits–like a fan game, okay? It’s strictly for fun (unless the Wachowskis give me a ring). Got that?


Update 2020: My understanding of my characters has deepened and mutated since I wrote the first version of this blog post. This is partly because some of my characters have gone through changes, and also because The Witching Work adds a whole new cast of characters. I’ve also become aware of a whole lot of new and amazingly talented actors and performers since I first started these books in the fall of 2016. Many of these performers are LGBTQIA+, transgender, intersex, otherwise gender diverse, and/or perform drag. This revised fantasy casting list includes an increased number of such folx, particularly among the Elves and in the second book, Lucky LaFey’s witch daughters.

As a writer, it really helps to have “a face” to give to my characters. Actors and performers are easily “recruited” in this imaginative exercise. And so, enjoy the list below. I can’t promise it won’t change!

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These two books are about a group of human misfits (the Hermits) and their collisions with magic and a variety of supernatural beings, while having crazy dangerous adventures. It’s a “coming of age” story for characters who are already “old”–a tale of mid-life magic.

The Hermits of “Hermitville” (Book 1) and “Neoville” (Book 2)

*Babe Bump – intersex woman, pansexual. Imagining singer and actor, Eden Atwood, (with darker hair). She’d be terrific. And this song is a perfect way for her to express her feelings for her new sweetheart! Eden has been “the face” of Babe almost since the first chapter.

Babe often functions as the quiet, emotional center of The Hermits, but no one should underestimate her. She’s a sexy burlesque performer and an intersex activist, as bold in her way as Tomma is in zir’s. And she goes through some wild changes! [*Narrator]

*Tomma Bedlam – a gender fluid/non-binary person. Prounouns are ze and zir, and ze is pansexual. Tomma is a BIG personality–complex, creative, provocative, funny as hell, sexy, confrontational, flippant, intelligent, and courageous. Ze is also extremely tender-hearted. Tomma is Babe’s best friend.

I orginally had another person chosen for this fantasy casting, but lately I’ve been realizing that Dragula’s Disasterina (and the person behind her) has a lot of the emotional range, physicality, and humor that I associate with Tomma. Though I don’t see Tomma with quite the non-stop boisterous campiness of Disasterina, Tomma comes close in several scenes. I find myself wondering if the thoughtfulness (as well as the punk-drag energy) behind the creation of Disasterina would allow this performer to deliver the Tomma I imagine. It’s an interesting speculation! [*Narrator]

*Oyster Olson – trans man, asexual, pan-romantic. Imagining Will Krisanda who played Max in the Brothers series, but with a little grey hair added. For me, he’s been “the face” of Oyster Olson all along and I remain devoted to this fantasy casting choice. Will Krisanda has the kind of range that Oyster needs, as Oyster’s life takes many unexpected turns. (But he’d have to learn to play blues harp or fake it!). [* Narrator]

Aarrf Perry – a gender queer (they/them) “human puppy” who is also head of Hermitville security. This character requires a certain kind of versatility and has a pretty intense character growth. I now imagine Dina Nina Martinez in the roll, as she’s funny as hell and I think she could carry Aarrf’s character arc.

Joe Hillstrom – cisgender man, gay, photographer and personal trainer. I originally imagined Chiwetel Ejiofor, because he can pretty much do anything as an actor and I love him. However, there are several actors out there who could do wonderful things with Joe’s character.

Glysandra Shakti Om – cisgender woman, hetero, neo-tantra instructor. I originally imagined Helen McCrory (Peaky Blinders), as she is so sexually compelling. But there are others who do could the role too. There is potential for campy humor in this role, as Glysandra can be clueless but also overly sincere. If I was going to cast a drag performer, I’d go for Louisiana Purchase. I think she could do a lot with a hippy tantrika character!

Maximus Gordon – cisgender man, hetero, polyamorous, musician and singer. I imagine casting an actor like Morgan Freeman or Idris Elba, but as Maximus is somewhat kinky, it has to be someone comfortable with that kind of role. Maximus is a former folk singer and his ex-wife and current girlfriend both live in Hermitville. They all get along.

Sybil Perry – cisgender woman, heteroflexible, polyamorous, musician and singer. Imagining Annie Golden as Maximus’ former wife and folksinging partner.

Minnie Richmond – cisgender OR trans woman, heteroflexible, polyamorous, musician and singer. She is Maximus’ current GF. She and Maximus are somewhat kinky, so it has to be someone comfortable with that kind of role. I’d like this role to be given to a woman of color.

Jennifer Juniper – cisgender woman, hetero, musician and singer. Imagining Rhiannon Giddens or Valerie Junes, except they’re both so good and there might not be enough for a musican of that caliber to do. Perhaps this is a role for someone who is an actor first, musican second?

Frank Talk – intersex man, heteroflexible, musician. I’ve thought of Mx. Annunaki Ray Marquez, an intersex activist and former professional pirate actor. However, Frank goes through some tough times in the second book (spoiler alert) and so the trauma might be tough on an actor.

Rozaline Rae – cisgender OR trans woman, bisexual, musician/singer. Imagining someone with a persona similar to Poison Ivy (of The Cramps).

Ginger Croom – cisgender woman, hetero, age 70ish, winery heiress, Hermitville founder. Dies at beginning of the book. A “big” personality even so. I keep thinking Susan Sarandon (b. 1946), both for looks and for her activism (very much like Ginger’s). And who play the younger Ginger in flashbacks?

Sidley Croom – cisgender man, bisexual, Ginger’s younger brother. Sidley has red hair and a beard. Would look something like Jeff Bridges (b. 1949).

Elves of “The Realm” (Books 1 & 2)

Note: The Elves have 29 genders in their world, depending on their “element” at birth and timing of developmental “shifts” over the course of their lives.

Septimus Sitwell – Elf gender TBA. pansexual. Imagining Benedict Cumberbatch. Because this is a fantasy after all… And because Septimus has some great lines.

*Breadcrumb – Elf gender TBA, pansexual. Character based on Angela Mae, a clown and bellydancer who used to perform with Gooferman. I can imagine Jamie Clayton (Sense8 transgender actress) in this role. [*Book narrator.]

Professor Osbert Almond – Elf gender TBA, pansexual. Imagining Tom Hiddleston with long hair (but more gloss and gleam than Marvel Loki) — mostly because he is an amazing actor and could bring a lot of depth to the professor, who has a complex backstory. Or perhaps Alexander Vlahos (Versailles), with long, dark hair.

Parsifal Berry Blue – Elf gender TBA, pansexual, T.W.O.’s dad. Character based on the real-life Puddles, the Sad Clown with the Golden Voice. Would love to cast Puddles (Mike Geier) in this role.

Maud o’ Bedlam – Elf gender TBA, pansexual, Breadcrumb’s  mom. Imagining Eva Green (Penny Dreadful).

George Potts – Elf gender TBA, pansexual, married to Archie Smegley. Imagining Jake Zyrus (trans man actor/singer).

Archie Smegley – Elf gender TBA, pansexual, married to George Potts. Imagining Scott Turner Schofield (trans man actor) OR could be Evah Destruction, drag perfomer .

Gingevus Sitwell – Elf gender TBA, pansexual, brother to Septimus. Imagining Bill Nighy (with longish hair) OR could be Landon Cider, drag performer.

Who’s There – Elf gender TBA, pansexual. Imagining Biqtch Puddin’, drag performer (Dragula).

Hamfast – Elf gender TBA, pansexual, shapeshifter. Imagining Richard O’Brien (Rocky Horror Picture Show).

Hamfast shapeshifting as Goddess Mal-i-bu Bar-bee – Imagining Candis Cayne in a cameo appearance as “the Cosmic Soccer Mom.”

Supernatural Beings (Books 1 and 2)

Vesta the Salamander – this is a voice part.

Nienna, Elven Goddess – Dual role for Victoria Elizabeth Black (see Gyda below).

Lucky LaFey & Family (Book 2)

Lucky LaFey (Norse God Loki Laufeyjarson) – Imagining Hale Appleman (The Magicians), but with red hair.

Váli, Lucky & Sigyn’s Son – (changed into a wolf by Odin). Not yet cast.

Angrboda, Lucky’s Jotun wife – Powerful. Imagining Maxi Glamour, drag performer (Dragula).

Sigyn, Lucky’s Aesir wife – Imagining Kitana Kiki Rodriguez (Tangerine). Brief action role.

Gyda, Lucky’s Witch DaughterVictoria Elizabeth Black, drag performer (Dragula). And see Nienna, above. She could do both.

Runa, Witch DaughterIndya Moore, transgender actress (Pose). I can also see her as Breadcrumb though.

Magnhild, Witch DaughterDahli, drag performer (Dragula).

Ylva, Witch DaughterAngelica Ross, transgender actress (Pose).

Thyra, Witch Daughter – the “punk rock” one. James Majesty, drag performer (Dragula).

The rest of Lucky’s Witch Daughters, not yet cast. Eerika, Alva, Oili, Ase, Unn, Sigrid, Gunvor, Nanna, Ingrid, Eira, Asta, Sylvi — all could be played by transgender actresses and/or drag performers.

Sophie “Socks” Lokisdottir – a transient human trans girl adopted by Lucky. Not yet cast.

Bad Guys (Book 1)

Anna Phylaxia – cisgender woman, hetero, pretend “domme,” CEO of Anna’s Wicked Wares. Imagining Vander Von Odd as fantastic in this cis female role, as well as the person behind the scenes who designs quite a lot of The Realm scenery and Elf costumes.

Stanford Lawsome – cisgender, part-human, bisexual, Anna’s assistant. Half human. Imagining Reeve Carney (Penny Dreadful) with bleached hair and a spray tan.

The Lawyer® – gender neutral (ze, zir), Elsewherian supernatural foe, preference unknown. Imagining Jamie Casbon (Brothers) with a very corporate wardrobe.

Sri Niri Nimrod – cisgender man, hetero. Self-righteous yoga guy with man bun, leader of a Hippie Doomsday Cult. Small role. Haven’t cast him yet.

Bad Guys (Book 2)

Samuel Dipps aka “The Big Dipper” or “The Dip” – Wethrini supernatural foe. He looks like an orange, spray tanned “Malibu Ken” doll. This is a nasty villain! Haven’t imagined a fantasy actor yet. [Also, “The Dip” has minions, not yet specified.]

Anna Phylaxia – Returns as a friend of Samuel Dipp. See Bad Guys (Book 1).

Film Crew (Book 1)

Miranda Jackson – cisgender female, lesbian, documentary filmmaker. Have imagined someone like Lea DeLaria (Orange is the New Black).

Shank Stoma – Trans or gender queer person, sexual preference unknown. Camera. Imagining Hudson Krakowski (Brothers).

Eddie Sedgwick – Nonbinary trans male (they, their). Camera. Imagining Em Grosland (New Ambsterdam).

Toledo Jackson – Cisgender male, hetero. Miranda’s goat-selling, former tweaker brother. Hippie dude. Imagining someone similar to Russell Brand, but even more unraveled.

Hawaiian (Kanaka Maoli) Neighbors (Book 1)

Namaka – cisgender woman, mother of two including kapu (sacred) child. I imagine someone like singer/activist Hāwane Rios or singer/activist Laulani Teale.

Uncle Iolana – cisgender man, kupuna (cherished elder), age 70ish. I imagine someone like singer Liko Martin.

The kapu baby, Keikiokalani (gender not specified), and a boy of ten. Not cast.

This “casting” is actually a productive exercise for a (cis, white) writer to step out of a tendency to “cast white” and “cast cis” and to broaden the character possibilities beyond a token character or two, tossed in as a sop to “diversity.” It is also a way to search out and appreciate the work of talented people who in some cases have less recognition than they deserve. And it’s also a bit of “magical thinking.”

So mote it be.

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“Dire Deeds” Story Set in The Restored Hawaiian Kingdom

The Dire Deeds of the Guild of Ornamental Hermits takes place in Hawai’i in a “not too distant” future. As I work my way through the second draft, it became obvious to me that I wanted that future to consist of a recently restored Hawaiian Kingdom, one that (within the context of my fantasy novel) is still in a state of initial transition, yet is firmly established as a international, political, plausible reality.

In other words, in the future described in my book, the United States and its military is in the process of removing itself as per agreements and treaties made with those who represent the new Kingdom government and its multi-ethnic subjects: Kanaka Maoli (“native Hawaiians”) and descendents of Hawaiian Nationals who were subjects of the Kingdom at the time of the theft and occupation of Queen Liliu’okalani’s government and kingdom (1893). (The Queen is pictured below.) Kingdom restoration is now a “done deal” (in the book) and everyone living in Hawai’i has to deal with it, one way or another, including the Hermits of Hermitville on Hawai’i Island.

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Before I get into what this means for my work of fiction, please check out the reality. For historical background, political considerations, legal context, international status, and current affairs regarding the actual Hawaiian Kingdom, you can go to Hawaiian Kingdom Blog, particularly this entry: U.S. Commits “Acts of War” against the Hawaiian Kingdom (Jan. 17, 2018). My novel may be a fantasy, but there are good reasons for considering restoration of the Hawaiian Kingdom as possible, plausible, and righteous, though it is not yet in a politically negotiated process with the U.S. (even if it should be).

Back to the book. Like everyone else who is not an actual descendent of a Kingdom citizen circa 1893, the Hermits of Hermitville have been living in Hawai’i as settler/colonists in a belligerently occupied nation (until the restoration of the Kingdom, of course). This status is at first unknown to them, as they’ve drunk the standard American “Hawai’i statehood” Kool-Aid. This is a status that Hermitville’s founder, winery heiress Ginger Croom, doesn’t understand either until she’s about ten years into her settlement on two, twenty-acre agricultural lots in the Puna District of Hawai’i Island. While she still doesn’t quite understand the land title issues, she does come to understand that a great wrong was done and she’d like to do something to give back to the community. Her way of making amends–or reparations–is to give over one of the twenty-acre lots to five Kanaka Maoli families who have direct ties to that land and she also establishes a building fund for them (in keeping with American philanthropic tradition). She keeps the remaining lot for the Hermitville Farm and Arts Collective. Like most people who purchase real estate in Hawai’i, she believes in her fee simple ownership. As a wealthy person, she also still thinks of what she’s done as a “gift.”

This means that when Ginger writes her will (and this is important to the plot), she assumes she can transfer ownership of this remaining twenty-acre plot to whomever she chooses, in the first case, to her brother Sidley.

But Ginger and the rest of the Hermits never reckoned on the actual restoration of the Hawaiian Kingdom in their lifetimes, and now the question is whether to ask to become naturalized citizens of the Kingdom–and if granted this and if permitted to stay, to renounce U.S. citizenship–or to return to the continental U.S. The Hermits, being a fairly progressive bunch, are strongly considering asking to stay, but they too don’t understand that even if they are granted citizenship, that the twenty-acre land base of Hermitville may very well be given back to its original owners, who are most likely Kanaka Maoli.

I asked a couple of my Kingdom activist friends for some guidance as to what might happen in a restored Kingdom government, regarding a will created by someone who is not a descendant of a Kingdom subject (on or before 1893) but who has made provisions for transferring ownership of Hawaiian land to an heir. One friend [a former lawyer–waiting for permission to use his name] talked about the initial seizure of much of Hawaiian land by (1) the U.S.-backed, so-called “provisional government” (an act of war) and (2) the later U.S. “territorial” government (there was no treaty of annexation, by the way), and (3) the “state” of Hawai’i. He said:

“There were raids on estates, the government, etc. I would EXPECT that these deceitful and fraudulent land transactions will be examined and evaluated AND, when good reason is found, that these deeds and/or other methods of conveyances will be reversed AND the lands returned to their rightful title owners, or if none can be found, to the valid konohiki of those lands OR, if not valid, to the government.”

Note: Wikipedia defines konohiki as “a headman of a land division or ahupua’a of the Kingdom of Hawaii who administered the land ruled by an ali’i chief.” This definition is in accordance with that found in the Hawaiian Dictionary by Mary Kawena Pukui and Samuel H. Elbert (p. 166).

Lynette Cruz, Ph.D., Kupuna at Hawai’i Pacific University, commented, “Might have an issue with title transfers after 1893.” [Update: thank you, Lynette, for correcting my terminology – “subject” is the correct term, not “citizen.”]

In present day Hawai’i, complex discussions of the validity of land title after 1893, based on the Hague World Court of Arbitration’s affirmation of the continuing existence of the Hawaiian Kingdom (but not the government) as per Larsen Vs. the Hawaiian Kingdom, have featured in some cases of foreclosures and defective title.

Unknown to the Hermits, however, forces even more complex and mysterious than Hawai’i land title matters will soon force them into an even more complicated relationship to the question, “Should I stay or should I go?”

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Oyster Olson – Humble Bluesman Turns Wizard

Oyster Olson is a resident of the fictitious Hermitville Farm and Arts Collective near Pahoa, Hawai’i Island. He is one of twelve “hermits” (musicians, artists, and oddballs) invited to live at the intentional community by the founder, winery heiress Ginger Croom. At the beginning of the book, Oyster has been a resident at the farm for about six years. And he’s probably the most introverted member of the community at that point.

Oyster didn’t start out in my mind as a main character in my work of fantasy fiction, but he, along with Tomma Bedlam and Babe Bump, have grown to become the three main human protagonists. Babe does most of the first person narration, but Oyster and Tomma also narrate chapters, and the friendship between the three is one of my major pleasures in writing this story.

At the start of the book, Oyster is shy, reserved, and somewhat unfocused–unless he’s playing music! In the second chapter, during the farm’s monthly “Community Emergency Response Training” (CERT) drill, Oyster has trouble remembering the meaning of the triage colors* (red, yellow, green) as Tomma, participating as a mock “disaster victim,” is carried to the medical tarp on a repurposed surfboard. Babe notices his distraction, but also takes note of his “swoony” brown eyes.

Oyster is a talented multi-instrumentalist. He plays blues harp (harmonica), synthesizer, keyboards, and even harpsichord, with The Incredible Unstrung Band (the farm band). While skilled on keyboards, his real joy is playing the blues on his harp. At one point in the book he’s delighted to find that Babe recognizes a Charlie Musselwhite tune that he’s playing (Sorcerer’s Dream). Babe, a neo-burlesque artiste, tells Oyster that she’s been a fan of Musselwhite since her teens, and that blues and burlesque go together like “poke and poi.”

Oyster is a transgender man. He’s been keeping this private at Hermitville for personal reasons, but eventually confides in Babe, who is very out as an intersex rights activist. (Tomma, a gender variant person with ze/zir pronouns, figured out Oyster’s secret on zir own, but discreetly never mentioned it.) One wonders why Oyster didn’t confide in Babe and Tomma before, but as I said earlier, the guy is shy!

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Oyster’s growth in the book is a result of his growing friendship and intimacy with Babe and Tomma, along with his training in magical arts, and through the magical, multi-dimensional challenges and dangers they all face together.

If I were to cast Oyster’s part in a movie version of the book, I know exactly which trans male actor would get the part. He’s a little younger than Oyster (who is in his mid-40s), but could definitely carry the role. He’s got the right look and “vibe.” Just add a few gray hairs…

*Red-Immmediate Care, Yellow – Delayed Care. Green – Minimal Care. When I lived in Pahoa, HI, I took the CERT training. I had also taken it in Albany, CA.